“One my lodgers--well, she was a lady; you can't seem to get gentlemen
oftentimes in the summer season, for love or money, and I was puttin' up
with her,--breakin' joints, as you may say, for the time bein'--_she_ wrote
poetry; 'n' I guess she found it pretty poor pickin'. Used to write for the
weekly papers, she said, 'n' the child'n's magazines. Well, she couldn't
get more 'n a doll' or two, 'n' I do' know but what less, for a piece as
long as that.” Mrs. Nash held her hands about a foot apart. “Used to show
'em to me, and tell me about 'em. I declare I used to pity her. I used to
tell her I ruther break stone for my livin'.”
Marcia sat talking more than an hour to Mrs. Nash, informing herself upon
the history of Mrs. Nash's past and present lodgers, and about the ways of
the city, and the prices of provisions and dress-goods. The dearness of
everything alarmed and even shocked her; but she came back to her faith in
Bartley's ability to meet and overcome all difficulties. She grew drowsy
in the close air which Mrs. Nash loved, after all her fatigues and
excitements, and she said she guessed she would go up and see how Bartley
was getting on. But when she stole into the room and saw him busily
writing, she said, “Now I won't speak a word, Bartley,” and coiled herself
down under a shawl on the bed, near enough to put her hand on his shoulder
if she wished, and fell asleep.
XV.
It took Bartley two days to write out his account of the logging-camp. He
worked it up to the best of his ability, giving all the facts that he had
got out of Kinney, and relieving these with what he considered picturesque
touches. He had the newspaper instinct, and he divined that his readers
would not care for his picturesqueness without his facts. He therefore
subordinated this, and he tried to give his description of the loggers a
politico-economical interest, dwelling upon the variety of nationalities
engaged in the industry, and the changes it had undergone in what he called
its _personnel_; he enlarged upon its present character and its future
development in relation to what he styled, in a line of small capitals,
with an early use of the favorite newspaper possessive,
COLUMBIA'S MORIBUND SHIP-BUILDING.
And he interspersed his text plentifully with exclamatory headings intended
to catch the eye with startling fragments of narration and statement, such
as
THE PINE-TREE STATE'S STORIED STAPLE
MORE THAN A MILLION OF MONEY
UNBROKEN WILDERNESS
WILD-CATS, LYNXES, AND BEARS
BITTEN OFF
BOTH LEGS FROZEN TO THE KNEES
CANADIAN SONGS
JOY UNCONFINED
THE LAMPLIGHT ON THEIR SWARTHY FACES.
He spent a final forenoon in polishing his article up, and stuffing it
full of telling points. But after dinner on this last day he took leave of
Marcia with more trepidation than he was willing to show, or knew how to
conceal. Her devout faith in his success seemed to unnerve him, and he
begged her not to believe in it so much.
Public-domain text, read in full here on John Shaqi.
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