Halleck rose and went into the other car; he felt giddy, as if her
fluctuations of mood and motive had somehow turned his own brain. He did
not come back till the train stopped at Columbus for dinner. The old Squire
showed the same appetite as at breakfast: he had the effect of falling upon
his food like a bird of prey; and as soon as the meal was despatched he
went back to his seat in the car, where he lapsed into his former silence
and immobility, his lank jaws working with fresh activity upon the wooden
toothpick he had brought away from the table. While they waited for a train
from the north which was to connect with theirs, Halleck walked up and down
the vast, noisy station with Olive and Marcia, and humored the little girl
in her explorations of the place. She made friends with a red-bird that
sang in its cage in the dining-hall, and with an old woman, yellow, and
wrinkled, and sunken-eyed, sitting on a bundle tied up in a quilt beside
the door, and smoking her clay pipe, as placidly as if on her own cabin
threshold. “'Pears like you ain't much afeard of strangers, honey,” said
the old woman, taking her pipe out of her mouth, to fill it. “Where do you
live at when you're home?”
“Boston,” said the child, promptly. “Where do _you_ live?”
“I _used_ to live in Old Virginny. But my son, he's takin' me out to
Illinoy, now. He's settled out there.” She treated the child with the
serious equality which simple old people use with children; and spat neatly
aside in resuming her pipe. “Which o' them ladies yender is your maw,
honey?”
“My mamma?”
The old woman nodded.
Flavia ran away and laid her hand on Marcia's dress, and then ran back to
the old woman.
“That your paw, with her?” Flavia looked blank, and the old woman
interpreted, “Your father.”
“No! We're going out to see papa,--out West. We're going to see him
to-morrow, and then he's coming back with us. My grandpa is in that car.”
The old woman now laid her folded arms on her knees, and smoked
obliviously. The little girl lingered a moment, and then ran off laughing
to her mother, and pulled her skirt. “Wasn't it funny, mamma? She thought
Mr. Halleck was my papa!” She hung forward by the hold she had taken, as
children do, and tilted her head back to look into her mother's face. “What
_is_ Mr. Halleck, mamma?”
“What is he?” The group halted involuntarily.
“Yes, what is he? Is he my uncle, or my cousin, or what? Is _he_ going
out to see papa, too? What is _he_ going for? Oh, look, look!” The child
plucked away her hand, and ran off to join the circle of idle men and
half-grown boys who were forming about two shining negroes with banjos.
The negroes flung their hands upon the strings with an ecstatic joy in the
music, and lifted their black voices in a wild plantation strain. The child
began to leap and dance, and her mother ran after her.
“Naughty little girl!” she cried. “Come into the car with me, this minute.”
Public-domain text, read in full here on John Shaqi.
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