Custody of children -- Fiction; United States -- Social life and customs -- 20th century -- Fiction; Women -- Fiction
He put the book down and threw his head back against the leather-covered
chair. His eyes encountered those of his mother fixed upon him--his
young mother whom he had never known. She looked down upon him from the
portrait over the mantel. With the hateful pertinacity that the eyes in
portraits sometimes show, they followed him whichever way he turned.
They were very sad eyes. He had never liked to look at the portrait on
that account. His mother had not been a happy woman. That he knew from
Mammy Cely, and he would have guessed it, he had sometimes thought, from
the character of the face that hung beside it. There was a sternness
about the features of his father that did not promise much for a woman's
happiness.
Richard De Jarnette was not an imaginative man, but there was something
about his mother's eyes that in all these years he had never seen
there--a questioning, reproachful look. They had never followed him
about as they did to-night. He moved impatiently, half turning away from
the portrait, and took up his book again. He read on resolutely, turning
page after page with clock-like regularity. He would not give up to such
folly!
Then all at once he perceived that what John Fiske was saying was, in a
voice of anguish,
"_The child is mine! I bore him!_"
He shut the book. He could not evade the thing. And after all what was
there to evade? He was right. The law had justified him in what he had
done. And the courts knew less about the case than he did too,--that was
another thing. He had not injured her reputation in any way. He had seen
to that. The world would know her always as an injured wife. He was
content that it should be so. It would know him as a hard-hearted
unnatural monster. He knew that because a candid man had eased an
over-wrought mind to-day by telling him so. Even Semple, his friend, his
own familiar friend,--he winced now as one does when a bare nerve is
touched,--had avoided him as they left the court-house. Only those who
have few friends could know how that cut.
Well, let the world think what it chose of him. He knew he was right. He
could have justified himself before them all, but it would have been at
her expense. That he did not choose to do. He had heeded his brother's
dying request and spared her. Victor, in shielding her with his latest
breath, had made what reparation he could for the wrong he had done her.
It was left to him to administer justice. And why should he not? he
asked himself with a sudden sense of bereavement. She had taken from him
his best beloved. He had done no more by her. And he knew and she knew
why he had done it. That was enough. Pity? No. Had she had pity?
Richard De Jarnette had the eyes of his mother, but his mouth, as it
tightened now, looked singularly like that of the man in the portrait
above him.
A knock broke in upon his perturbed thoughts and Mammy Cely's dark face
appeared.
"Marse Richard,--"
"Well?" He was impatient at the interruption.
Public-domain text, read in full here on John Shaqi.
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