Out in the bay my ship was moored, and I was to go on it that night so that Miss Meek and Sam might go back to Florence. I didn’t want to. I had to think of mother very hard to keep from crying. It is really complicated to love several countries and many friends, for it makes so much tugging and not a little hurt. I said that just before I said good-by. Then Sam, who had been coughing quite a little, and always before he spoke, asked me if I had my tickets, and I said--for the fortieth time anyway--that I had, and Miss Meek said, “Look at the birds circling around the ship. Jolly, what?” “They follow it,” I said. “A lot will follow that ship,” said Sam. And then Miss Meek kissed me, and Sam said, “Look here, dear, if you can kiss Mr. Hemmingway, I guess you might take a chance on me?” And I said I guessed so, and I kissed him. And Miss Meek wiped her eyes, and kept saying, “No end jolly, a sea trip, don’t you know?” And I said, “Yes,” and I kept my hand in Sam’s, and Sam didn’t say anything. But he did _look_ quite a lot of things. And then somehow, I was on board, and alone, and at last in my stateroom which I was to share with an American woman from Florence who was going home to visit her mother. It was honestly a relief to have the good-bys over. And after I took off my hat and coat, and had hung up the things from my suitcase in a half of the small cupboard, I got out the book that the choir had given me before I left. It is a very nice book made of puffy leather, and it has “My Trip Abroad” written across it in gold letters, and of course I had written in it, because that was what was expected. I opened it and read: “The Madonna of the Chair is in the Pitti Gallery, and it is by Raphael. The Gallery is very big. It took Sam and me four hours to go through it.” Below this: “Sam and I walked to-day, up near Fiesole, and we saw the Villa Medici where the Princess Mary and Viscount Lascelles visited Lady Sybil Scott, at the end of their honeymoon. It is a lovely place. It seems to be so nice that they could be there.” Then--over the page--I found a note about the Riccardi Palace. “There is a picture in the chapel of the Riccardi Palace,” I had written, “that was painted by candle light by a man named Gozzoli, who has been dead for several years. It is a fine picture and has lots of gold in it and the portraits of the Medicis who lived in the palace. Sam and I went down near the Arno and bought buns after seeing it, which was very inspiring.”