A modern trio in an old townHaviland-Taylor, Katharine
General
A modern trio in an old town
Haviland-Taylor, Katharine
Americans -- Italy -- Fiction; Florence (Italy) -- Fiction; Young women -- Fiction
“Beata,” I broke out quickly, “not _Pietro_?” for I was afraid that
something had come along to change the course of her plans, which
all led up to and centered around a wedding which was to be early in
February.
Beata looked up; “Signorina,” she said, “la cablegram--la Signorina
Harrees-Clarke--la poverina, la _poverina_!”
That was all I stopped to hear. I hurried down the corridor to Viola’s
room, and at that door I paused, for Leslie was sitting on the bed by
Viola, holding both of her hands in hers, and saying, as she stroked
them, “There, dear, _there_!”
CHAPTER NINETEEN
CHANGES
I found the cablegram that had come for Viola told her that her father
was dead; the father whom she had not written since her complaining,
begging letter of Christmas time.
It made me feel so sorry for her that I didn’t know what to do; for
I knew that the sorrow would be enough for her without acute regret
attached to it; and I knew that she was going to suffer from that too.
I stood in the doorway, that afternoon, for quite a few moments before
I could go in, and when I did and Viola saw me, she sat up. Her cheeks
were flushed and she didn’t look as if she had cried.
“Do you remember that letter?” she said.
I nodded. I couldn’t speak.
“What--can you remember _just_ what I said in it?” she asked. I evaded
as hard and convincingly as I could, but it did no good. She remembered
it, only she had to talk of it, and she did it through questioning me.
“I--I told him that Leslie’s clothes made me feel like a pauper--” she
stated in a hard, high voice, “that--that I’d had to struggle and
pinch--I told him--”
I broke in then. And I made her lie down, and I got Leslie started at
making tea, and then I helped Viola into bed, and tried to do what
I could to divert her through taking off her clothes and making her
comfortable and brushing her hair, and Leslie took the cue and stopped
saying, “Oh, my dear, how _can_ I help you?” which was not just what
Viola needed then.
Every one was dreadfully upset, and worried for Viola, and Miss Meek
came over with smelling salts, and Miss Bannister came tiptoeing to
the door to ask what she could do, and Mr. Hemmingway, whose eyes were
flooded in tears, told me of the death of his dear father--and he
remembered the date--and Miss Julianna, with tears on her pretty round
cheeks, came pattering in with offers of all sorts of strange things,
and a little shrine, which she set up by Viola’s bed.
“La Madre Santa,” she said--which meant “The Sainted Mother”--and
Leslie, who doesn’t seem to understand the people who differ from her
in their way of worship, asked Viola if it should stay.
“I can take it away, darling,” she said in an undertone, “when Miss
Julianna is gone.”
Public-domain text, read in full here on John Shaqi.
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