A modern trio in an old townHaviland-Taylor, Katharine
General
A modern trio in an old town
Haviland-Taylor, Katharine
Americans -- Italy -- Fiction; Florence (Italy) -- Fiction; Young women -- Fiction
She looked at me hard. “What would I do?” she asked after several
moments of scrutiny.
“Accompany,” I answered. “Even Devil Paggi” (I am ashamed to say that
we called him that sometimes) “says you can do that--”
“Yes--” Viola answered in a funny, low voice.
“He said he’d get any of us positions,” I went on, “and touring with a
great singer wouldn’t be bad--”
That captured her!
“Basses are always fat,” she said; “I hope to goodness it will be a
tenor!” Which was a whole lot like Viola, and a joke that I didn’t
appreciate then, for when Viola--who did learn to accompany really
beautifully--got her position, it was with a fat German contralto who
had five children, a fat poodle dog that Viola had to chaperon a great
deal of the time, and a temper that Viola had to suffer, or--leave!
I stood up a little time after that, and as I stepped into the corridor
I met Leslie, who was taking a letter out for Beata to mail.
“Look here,” I said, as I swung into step by her, and we reached the
hall near the entrance door, “Viola had a letter from her mother, and
her father hasn’t left much--”
“How ghastly!”
“Well,” I said, “I don’t know. . . . It may help Viola--”
“I’ll lend her anything she needs--any amount,” said Leslie, and then I
spoke.
“Please _don’t_,” I begged. She drew herself up.
“Will you be good enough to explain?” she said frigidly, and I did. I
said that, unless she intended to support Viola all her life, she had
no business to get Viola into the habit of taking and expecting, and I
went on to say that it was the one chance for Viola to learn to work,
and that she would be helped through her trouble _by_ work. I was sure
she would, and I was sure that Leslie oughtn’t to help her, and I spoke
with a lot of energy.
Leslie didn’t like it--Rome wasn’t built in a day!--and then she said
that when she needed my expert advice she’d call for it, and that she
didn’t intend to see Viola starve; and after that, we parted.
At dinner that night she was frosty as James Whitcomb Riley’s famed
pumpkins, but I could see by Viola’s careless manner (Viola always paid
a great deal of attention to Leslie _after_ she borrowed money) that
Leslie hadn’t spoken to her of her willingness to help.
For a couple of days Leslie avoided making real conversation with me,
and then one morning while I was practising I looked up to see Leslie
in the doorway.
She had on a French blue negligee that had pale two-toned pink ribbons
on it, and her cheeks were flushed and her eyes bright, and she carried
a tray on which was a pot of tea, some little cakes that she knows I
like, and some biscuits. She always got her own breakfast because the
pension allowance was small, and she knew that I was always hungry
until after lunch.
“Here!” she said, as she set it down on a chair by me. “Suppose you’re
starved as usual. I, myself, am entirely certain that the scant
breakfasts stunt the race--I’m _certain_ that it makes them short--I
want to say several things--”
Public-domain text, read in full here on John Shaqi.
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