Our employer is a quiet blue-eyed man with a humorous smile. He
dresses wholly in an indigo blue, that later we come to consider a
sort of voluntary uniform for Utopian artists. As he walks about
the workshop, stopping to laugh at this production or praise that,
one is reminded inevitably of an art school. Every now and then
he carves a little himself or makes a sketch or departs to the
machinery to order some change in the rough shapes it is turning
out. Our work is by no means confined to animals. After a time I am
told to specialise in a comical little Roman-nosed pony; but several
of the better paid carvers work up caricature images of eminent
Utopians. Over these our employer is most disposed to meditate, and
from them he darts off most frequently to improve the type.
It is high summer, and our shed lies open at either end. On one hand
is a steep mountain side down which there comes, now bridging a
chasm, now a mere straight groove across a meadow, now hidden among
green branches, the water-slide that brings our trees from the
purple forest overhead. Above us, but nearly hidden, hums the
machine shed, but we see a corner of the tank into which, with a
mighty splash, the pine trees are delivered. Every now and then,
bringing with him a gust of resinous smell, a white-clad machinist
will come in with a basketful of crude, unwrought little images, and
will turn them out upon the table from which we carvers select
them.
(Whenever I think of Utopia that faint and fluctuating smell of
resin returns to me, and whenever I smell resin, comes the memory of
the open end of the shed looking out upon the lake, the blue-green
lake, the boats mirrored in the water, and far and high beyond
floats the atmospheric fairyland of the mountains of Glarus, twenty
miles away.)
The cessation of the second and last spell of work comes about
midday, and then we walk home, through this beautiful intricacy of a
town to our cheap hotel beside the lake.
We should go our way with a curious contentment, for all that we
were earning scarcely more than the minimum wage. We should have, of
course, our uneasiness about the final decisions of that universal
eye which has turned upon us, we should have those ridiculous sham
numbers on our consciences; but that general restlessness, that
brooding stress that pursues the weekly worker on earth, that aching
anxiety that drives him so often to stupid betting, stupid drinking,
and violent and mean offences will have vanished out of mortal
experience.
Section 3
Public-domain text, read in full here on John Shaqi.
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