"I suppose you've got your thumbs?"
"The fact is----" I say and hesitate. "We've got our thumbs, of
course."
"Then I shall have to send a thumb-print down to the office and get
your number from that. But are you sure you haven't your papers or
numbers? It's very queer."
We admit rather sheepishly that it's queer, and question one another
silently.
She turns thoughtfully for the thumb-marking slab, and as she does
so, a man enters the office. At the sight of him she asks with a
note of relief, "What am I to do, sir, here?"
He looks from her to us gravely, and his eye lights to curiosity at
our dress. "What is the matter, madam?" he asks, in a courteous
voice.
She explains.
So far the impression we have had of our Utopia is one of a quite
unearthly sanity, of good management and comprehensive design in
every material thing, and it has seemed to us a little incongruous
that all the Utopians we have talked to, our host of last night,
the post-mistress and our garrulous tramp, have been of the most
commonplace type. But suddenly there looks out from this man's pose
and regard a different quality, a quality altogether nearer that of
the beautiful tramway and of the gracious order of the mountain
houses. He is a well-built man of perhaps five and thirty, with the
easy movement that comes with perfect physical condition, his face
is clean shaven and shows the firm mouth of a disciplined man, and
his grey eyes are clear and steady. His legs are clad in some woven
stuff deep-red in colour, and over this he wears a white shirt
fitting pretty closely, and with a woven purple hem. His general
effect reminds me somehow of the Knights Templars. On his head is a
cap of thin leather and still thinner steel, and with the vestiges
of ear-guards--rather like an attenuated version of the caps that
were worn by Cromwell's Ironsides.
He looks at us and we interpolate a word or so as she explains and
feel a good deal of embarrassment at the foolish position we have
made for ourselves. I determine to cut my way out of this
entanglement before it complicates itself further.
"The fact is----" I say.
"Yes?" he says, with a faint smile.
"We've perhaps been disingenuous. Our position is so entirely
exceptional, so difficult to explain----"
"What have you been doing?"
"No," I say, with decision; "it can't be explained like that."
He looks down at his feet. "Go on," he says.
I try to give the thing a quiet, matter-of-fact air. "You see," I
say, in the tone one adopts for really lucid explanations, "we come
from another world. Consequently, whatever thumb-mark registration
or numbering you have in this planet doesn't apply to us, and we
don't know our numbers because we haven't got any. We are really,
you know, explorers, strangers----"
"But what world do you mean?"
"It's a different planet--a long way away. Practically at an
infinite distance."
He looks up in my face with the patient expression of a man who
listens to nonsense.
Public-domain text, read in full here on John Shaqi.
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