To understand rightly the real spirit of an age or country, it is not
enough to study dry statistics or history in the form of records of
wars and political changes. We must study the works of the best poets,
novelists, and dramatists, who seek to embody types and to hold up the
mirror to contemporary ideas and manners. A careful perusal of such works
as those of Dickens, Thackeray, Trollope, and George Eliot at home, and
of Bret Harte, Howells, James, and Mrs. Burnett in the United States,
will give a truer insight into the inner life of the country and period
than any number of blue-books or consular returns. They show what the
writers of the greatest genius, that is, of the greatest insight, see as
types of the actual ideas and characters surrounding them; and the fact
of their works being popular shows that the types are recognised as true.
Now it is certain that the English literature of fiction and its latest
development, that of the American novelists, show an ever-increasing
recognition of the female individual as an equal unit with the male in
the constitution of modern society. Those dear ‘school marms’ of Bret
Harte’s and Wendell Holmes’, who career so joyously through mining camps,
receiving courtesy and radiating civilising influences among the rough
inhabitants; or touch the hearts and throw a mellow light over the autumn
days of middle-aged professors and philosophers, are far removed from
the slaves of prehistoric savages or the inmates of a Turkish harem. So
also in the more complex relations of a more crowded civilisation, in the
circles of Washington, New York, and Boston, the ideal American woman is
always depicted as bright, intelligent, and independent, with a character
and personality of her own, and the suspicion never seems to enter the
author’s head that she is in any respect inferior to the male characters
with whom she is associated.
The same may be said to a great extent of English literature from the
time of Shakespeare downwards. No better portrait than Portia was ever
drawn of the
Perfect woman, nobly planned
To soothe, to comfort, and command;
And yet a spirit still, and bright
With something of an angel light.
Public-domain text, read in full here on John Shaqi.
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