A moment of madness, and other stories (vol. 2 of 3)Marryat, Florence
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A moment of madness, and other stories (vol. 2 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
But the native woman obstinately declares that she will not go on to the
Mandalinati hills, and it is only upon a promise of receiving double pay
that she at last complainingly consents to accompany her mistress to
the castle. Ethel has to suffer, however, for descending to bribery, as
before the ascent commences every servant in her employ has bargained
for higher wages, and unless she wishes to remain in the plains she is
compelled to comply with their demands. But she determines to write and
tell Charlie of their extortion by the first opportunity, and hopes
that the intelligence may bring him up, brimming with indignation, to
set her household in order. Her first view of the castle, however,
repays her for the trouble she has had in getting there. She thinks
she has seldom seen a building that strikes her with such a sense of
importance. It is formed of a species of white stone that glistens like
marble in the sunshine, and it is situated on the brow of a jutting hill
that renders it visible for many miles round. The approach to it is
composed of three terraces of stone, each one surrounded by mountainous
shrubs and hill-bearing flowers, and Ethel wonders why the Rajah Mati
Singh, having built himself such a beautiful residence, should ever
leave it for the use of strangers. She understands very little of the
native language, but from a few words dropt here and there she gathers
that the castle was originally intended for a harem, and supposes the
rajah’s wives found the climate too cold for susceptible natures. If
they disliked the temperature as much as her native servants appear to
do, it is no wonder that they deserted the castle, for their groans and
moans and shakings of the head quite infect their mistress, and make
her feel more lonely and nervous than she would otherwise have done,
although she finds the house is so large that she can only occupy a
small portion of it. The dining-hall, which is some forty feet square,
is approached by eight doors below, two on each side, whilst a gallery
runs round the top of it, supported by a stone balustrade and containing
eight more doors to correspond with those on the ground floor. These
upper doors open into the sleeping chambers, which all look out again
upon open-air verandahs commanding an extensive view over the hills and
plains below. Mrs Dunstan feels very dismal and isolated as she sits
down to her first meal in this splendid dining-hall, but after a few
days she gets reconciled to the loneliness, and sits with Katie on the
terraces and amongst the flowers all day long, praying that the fresh
breeze and mountain air may restore the roses to her darling’s cheeks.
One thing, however, she cannot make up her mind to, and that is to sleep
upstairs. All the chambers are furnished, for the Rajah Mati Singh is a
great ally of the British throne, and keeps up this castle on purpose
to ingratiate himself with the English by lending it for their use; but
Public-domain text, read in full here on John Shaqi.
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