A moment of madness, and other stories (vol. 2 of 3)Marryat, Florence
General
A moment of madness, and other stories (vol. 2 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
It was reckoned, and without exaggeration, that more than forty
thousand people went to Laeken that day to see the child of their king
buried. From the palace to the church the _coup d’œil_ of the procession
was very imposing.
A veil of black seemed to hover over the vast multitude, who, with
uncovered heads, paced slowly beneath the wintry sky; and the rays of
frosty sunshine, powerless as they were to warm on such a day, had yet
sufficient brilliancy to outshine the lights which flickered in a sickly
manner in the carriage lamps, overshadowed by their coverings of crape.
When the coffin arrived at the church, it was already nearly filled
with the functionaries of the different administrations of Brussels and
the provinces. There were also representatives of all the constituted
bodies, most of the governors of the province, and deputations of the
communal and provincial councils. MM. le Capitaine Nicaise and Lahure,
junior, were appointed to keep order in the church; and the places for
each body of functionaries were marked beforehand by printed bills. The
king and the Comte de Flandre occupied seats in front of the altar; those
belonging to their households sat behind. The diplomatic body was to the
right of the bier, on which rested the coffin—the various deputations to
the left; and all the rest of the assemblage were disposed in the two
aisles of the church.
The building was completely hung with black: each pillar bore an
escutcheon, in the centre of which was blazoned a golden lion, surmounted
by the word ‘Obiit,’ and the date of the child’s death. The bier, placed
in the middle of the church, and at the entrance of the choir, was raised
upon a pedestal covered with black velvet, bordered with ermine and
embroidered with lions. The bier itself was covered with a white pall, on
the top of which was placed a wreath of roses, just like the one which
lay upon the coffin whilst in the temporary chapel, and was surmounted
by a black canopy bordered with heavy gold fringe, from which fell four
large curtains, enveloping the pedestal. Round the coffin burned numerous
wax tapers, and on the four panels of this funereal erection, and at each
corner of the altar, were the royal arms of Belgium. The Archbishop of
Malines was the principal officiator at the ceremony, and it was he who
pronounced the Absolution, standing beneath a canopy of crimson velvet
fringed with gold, which had been raised for him, to the right of the
altar. The suffragan bishops took a part in the service; but the mass was
sung.
Directly it was concluded, the coffin was placed in the chapel in front
of the vault where King Leopold I. and Queen Marie-Louise already rest,
and there it will remain until the three coffins can be together moved to
the permanent vault in course of erection in the new church at Laeken.
Public-domain text, read in full here on John Shaqi.
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