A moment of madness, and other stories (vol. 3 of 3)Marryat, Florence
General
A moment of madness, and other stories (vol. 3 of 3)
Marryat, Florence
English fiction -- 19th century; Short stories, English
We feel very heated when we stand on the breezy hill again, for the
grotto, contrary to our expectation, has proved exceedingly warm, and
the exercise has made us feel more so; and daylight looks so strange that
we can scarcely persuade ourselves we have not been passing the night
down below. We have picked up several little loose bits of stone and
stalactite during our progress, and when we reach home, we spread them
out before us on the table, and try to remember where they came from.
Here is a bit of marble, veined black-and-white; and here is white stone,
glistening and silvery. Here is the stalactite, a veritable piece of
‘frozen tears’ and _couchant houris_.
Well, we have been a little disappointed with the grottoes of Rochefort,
perhaps; we have not found the crystallisations quite so purple-and-amber
as we anticipated, or the foundations quite so clean; but, after all, it
is what we must expect in this life. If the grotto is not so brilliant as
we expected, it is at least a very wonderful and uncommon sight; and so
in this life, if we can but forget the purple-and-gold, we may extract a
great deal of amusement from very small things, if we choose to try. With
which bit of philosophy I conclude.
[Illustration]
A MIDSUMMER’S NIGHTMARE;
Or, The Amateur Detective.
I am an author. I am something worse than that—I am a Press writer. I am
worse than that still—I am a Press writer with a large wife and a small
family. And I am an Amateur Detective! I don’t mean, of course, that I
reckon the last item as part of my profession, but my friends always
come to me if they are in any difficulty, and set me to do all kinds
of queer jobs, from restoring and reconciling a truant husband to his
wife, to making the round of the ‘Homes for Lost Dogs’ in order to find
Lady Softsawder’s pet poodle. Even Jones couldn’t complete his great
work, ‘The Cyclopædia of the Brain,’ without asking my assistance (for a
consideration, of course) with his fifth section, ‘The Origin of Dreams.’
Jones is full of fire and imagination, but he does not care for plodding,
and he knew me of old for a good steady compiler. I agreed with alacrity.
‘The Origin of Dreams’ would fill those hungry little mouths of mine
for three months at the very least. But how to do it whilst they gaped
around me!—how to cover the one table in my solitary sitting-room with
valuable works of reference at the risk of their being touched by greasy
fingers!—how to wade through volume after volume, placing a mental mark
there and a material one here, whilst my offspring either surreptitiously
removed the one or irretrievably obliterated remembrance of the other, by
attracting my attention to the manner in which they attempted to scalp
each other’s heads or gouge out each other’s eyes! I tried it for a week
in vain.
Public-domain text, read in full here on John Shaqi.
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