Actors -- Fiction; Adultery -- Fiction; Married people -- Fiction; Staffordshire (England) -- Fiction
Everybody made a rush, and picking up Dick, who was not in the least hurt,
they struck matches on the wall and groped their way up to their rooms,
heedless of the denunciations of the enraged proprietor, who declared that
he would take an action against them all. In his dressing-gown, and by the
light of his candle, he surveyed his dismantled threshold, thinking how he
might fasten up his house for the night. The first object he caught sight
of was Mr. Hayes' white stocking. As he did so a wicked light gleamed in
his eyes, and after a few efforts to awake the drunkard he walked to the
gateway and looked up and down the street to see if a policeman were in
sight. In real truth he was doubtful as to his rights to lock visitors out
of their hotel, and, did not feel disposed to discuss the question before a
magistrate. But what could be said against him for requesting the removal
of a drunken man? He did not know who he was, nor was he bound to find out.
So argued the proprietor of the Hen and Chickens, and Mr. Hayes, still
protesting he did not want to be called before ten, was dragged off to the
station.
Next morning the hotel-keeper denied knowing anything whatever about the
matter. It was true he had called the policeman's attention to the fact
that there was a man asleep under the archway, but he did not know that the
man was Mr. Hayes. This story was rejected by the company, and vowing that
they would never again go within a mile of his shop, they all went to see
poor Hayes pulled out before the beak. It was a forty-shilling affair or
the option of a week, and in revenge, Dick invited last night's party to
dinner at a restaurant. They weren't going to put their money into the
pocket of that cad of an inn-keeper. Hayes was the hero of the hour, and he
made everybody roar with laughter at the way in which he related his
experiences. But after a time Dick, who had always an eye to business, drew
his chair up to Mortimer's, and begged of him to try to think of some
allusions to the adventures which could be worked into the piece. The
question was a serious one, and until it was time to go to the theatre the
art of gagging was warmly argued. Dubois held the most liberal views. He
said that after a certain number of nights the author's words should be
totally disregarded in favour of topical remarks. Bret, who was slow of
wit, maintained that the dignity of a piece could only be maintained by
sticking to the text, and cited examples to support his opinion. It was,
however, finally agreed that whenever Mortimer came on the stage, he should
say, 'Derby isn't a safe place to get drunk in,' and that Dubois should
reply, 'Rather not.'
Owing to these little emendations, the piece went with a scream, the
receipts were over a hundred, and Morton and Cox's Operatic Company, having
done a very satisfactory week's business, assembled at the station on
Sunday morning bound for Blackpool.
Public-domain text, read in full here on John Shaqi.
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