'But she was the wife of another man,' Laura replied, 'not that that is an insuperable barrier, but you brought, I fear, lewdness into your conjugal life, and lewdness is fatal to happiness whether it be indulged within or outside the bonds of wedlock. I'm sorry,' she said, 'that you had to leave Yarmouth before my lecture on the chastity of the marriage state.' 'It wouldn't have mattered,' Dick replied, 'for my wife had taken to drink long before we met at Hastings.' An answer that darkened Laura's face despite all the paint she wore, and encouraged Dick to ask her if she had never felt the thorns of passion prick her when she ran away from her convent school. She seemed uncertain what answer she should return, but only for a moment; and recovering herself quickly she maintained that it wasn't passion, which is but another name for lewdness, but imagination that had prompted this elopement, and that if she had gone to Bulgaria it was to seek there a nobler life than the one she had left behind. 'It was the immortal that drew me,' she said. 'Even so,' Dick answered, 'the mortal seems necessary for the immortal, and to provide him with a habitation a woman must give herself to a man.' 'That,' she replied, 'is one of the penalties entailed by our first parents upon women, but one that is entailed upon a condition that you have not respected, but which I have striven always to respect myself. It would be impossible for me to give myself to a man unless I thought I was going to bear him a child.' It was on Dick's lips to remind Laura that a woman can always think she is going to bear a child, but he refrained, it seeming to him that his purpose would be better served by allowing Laura to justify herself as she pleased, and he waited for an opportunity to speak to her about the alteration which he deemed altogether necessary in the second act. But Laura was away on her favourite theme, and in the end he had recourse to his watch. 'My dear Laura, I'm due at rehearsal in ten minutes from now.' 'Well, let's go,' she cried. 'But, my dear, this is what I've come to tell you. The second act,'--and he explained the difficulty which would have to be removed. 'Now, like a dear, good girl, will you go home and do this and bring it down to the theatre to-morrow morning at eleven so that we may have an opportunity of going through it together before rehearsal?'