Actors -- Fiction; Adultery -- Fiction; Married people -- Fiction; Staffordshire (England) -- Fiction
'I really don't want to flatter you, but with a little teaching you would
sing far better than Beaumont. Your ear is perfect; it's the production of
the voice that wants looking to;' and he talked to her of the different
tunes, listening to what she had to say, and encouraging her to recall the
music she had heard. He would beg her to repeat a phrase after him; he
taught her how to emphasize the rhythm, and was anxious that she should
learn the legend of Madame Angot.
'Now,' said Dick, 'I'll sing the symphony, and we'll go through it with all
the effects--one, two, three, four, ta ra ta ta ta ta ta.'
But as Kate attacked the first bar it was taken up by three or four male
voices, the owners of which, judging by the sound, could not be more than
forty or fifty yards away.
'Here's Montgomery, Joe Mortimer, and all that lot. I wouldn't be caught
here with you for anything.'
'By going up this passage we can get home in two minutes.'
'Can we? Well, let's cut; but no, they're too close on us. Do you go, dear;
I'll remain and tell them it was a lady singing out of that window. Here,
take my latchkey. Off you go.'
Without another word Kate fled down the alley, and Dick was left to explain
whatever he pleased concerning the mythical lady whom he declared he had
been serenading.
When Kate arrived home that night she lay awake for hours, tossing
restlessly, her brain whirling with tunes and parts of tunes. The
conspirators' chorus, the waltz song, the legend, and a dozen disconnected
fragments of the opera all sang together in her ears, and in her insomnia
she continued to take singing lessons from Dick. She was certain that he
loved her, and the enchantment of her belief murmured in her ears all night
long; and when she met Hender next morning, the desire to speak of Dick
burnt her like a great thirst, and it was not until Hender left her to go
to the theatre that she began to realize in all its direct brutality the
fact that on the morrow she would have to bid him goodbye, perhaps for
ever.
Her husband wheezed on the sofa, her mother-in-law read the Bible, sitting
bolt upright in the armchair, and the shaded lamp covered the table with
light, and fearing she might be provoked into shrieks or some violent
manifestation of temper, she went to bed as early as she could. But there
her torments became still more intolerable. All sorts of ideas and
hallucinations, magnified and distorted, filled her brain, rendered
astonishingly clear by the effects of insomnia. She saw over again the
murders she had read of in her novels, and her imagination supplied details
the author had not dreamed of. The elopements, with all their paraphernalia
of moonlight and roses, came back to her.... But if she were never to see
him again--if it were her fate to lie beside her husband always, to the end
of her life! She buried her head in the pillows in the hopes of shutting
out the sound of his snores.
Public-domain text, read in full here on John Shaqi.
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