A narrative of travels in northern Africa in the years 1818, 19, and 20; accompanied by geographical notices of Soudan and of the course of the NigerLyon, G. F. (George Francis)
History
A narrative of travels in northern Africa in the years 1818, 19, and 20; accompanied by geographical notices of Soudan and of the course of the Niger
Lyon, G. F. (George Francis)
Fezzan (Libya) -- Description and travel; Tripolitania -- Description and travel
During the few days I remained in Morzouk after my return from the
south, my time was much taken up in visiting and endeavouring to
relieve a poor boy who had a locked jaw. He was in a state of great
debility when I first saw him; one of his hands, which had been
injured by a weight falling on it, and which accident occasioned
the disease, was in a terrible condition, uncleaned, and smelling
most offensively. He had not for many hours taken any nourishment;
but I succeeded in forcing out one of his front teeth, and making
him swallow some soup and milk, with a dose of bark twice a day. He
died on the 5th of February of exhaustion, in defiance of my utmost
care, and the numberless charms which were written on his skin. I
have observed that the Fighis, who compose these charms, hold out
that it is wicked to read or copy one of them if it has been written
for any particular person, and that the original alone may be read
by the owner. In order to avoid unthinkingly reading charms which
they have purchased, the Fezzanners immediately enclose them in
a small case of leather or cloth; if this is not to be procured,
they carefully tie up the paper with cord or thread.
It has erroneously been supposed that the Moors or Arabs will
not permit any one to draw views or figures, in consequence of a
prohibition to that effect in the Koran, evidently taken from our
Second Commandment. As far as regards myself, I certainly found no
opposition in taking sketches, farther than being told that it was
forbidden to make likenesses on paper or otherwise, as the Romees,
or Christians, worshipped such images. I explained to them, however,
that it was not for a religious purpose that I employed my pencil,
but merely to make resemblances of my friends: all jealousies then
vanished, and I was ever after quietly suffered to proceed. It was a
matter of much speculation and wonder that I could possibly contrive
to represent such little men on paper, and they never failed to trace
a likeness to some one of the company present, even although the
colour of the skin, or the costume itself, might be different. In one
instance I excited evident jealousy in the Sultan, who could not be
persuaded that a Negress I had drawn was not one of his favourites;
and he asked me, in no very gentle manner, how and where I could have
seen her, as she was confined to the Castle, and was visible to no
one but himself? Many of the people, on first taking up a drawing,
did not appear much struck with it; but no sooner had they discovered
the eyes than their astonishment and delight were expressed by loud
laughter, by cries of Allah! Allah! and by placing the back of the
open hand against the forehead. Few, however, confined themselves
to this mode of admiration, but boldly pushed at the drawing with
two fingers, one for each eye, to the great risk of its entire
destruction, exclaiming, “There are his eyes; ’tis Abd Allah,
Mohammed, or some other of our friends. Look at his eyes! there
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account