A New System; or, an Analysis of Antient Mythology. Volume 1 (of 6)Bryant, Jacob
Religion
A New System; or, an Analysis of Antient Mythology. Volume 1 (of 6)
Bryant, Jacob
History, Ancient; Mythology
We have a curious inscription to this purpose, and a representation, which
was first exhibited by the learned John Price in his observations upon
Apuleius. It is copied from an original, which he saw at Venice: and there
is an engraving from it in the Edition of Herodotus by [911]Gronovius, as
well as in that by [912]Wesselinge: but about the purport of it they are
strangely mistaken. They suppose it to relate to a daughter of Mycerinus,
the son of Cheops. She died, it seems: and her father was so affected with
her death, that he made a bull of wood, which he gilt, and in it interred
his daughter. Herodotus says, that he saw the bull of Mycerinus; and that
it alluded to this history. But, notwithstanding the authority of this
great author, we may be assured that it was an emblematical representation,
and an image of the sacred bull Apis and Mneuis. And, in respect to the
sculpture above mentioned, and the characters therein expressed, the whole
is a religious ceremony, and relates to an event of great antiquity, which
was commemorated in the rites of Osiris. Of this I shall treat hereafter:
at present, it is sufficient to observe, that the sacred process is carried
on before a temple; on which is a Greek inscription, but in the provincial
characters: Ενδον Πατρικην Ἑορτην Φερω. How can Ἑορτη Πατρικη relate to a
funeral? It denotes a festival in honour of the Sun, who was styled, as I
have shewn, Pator; and his temple was called Patra: whence these rites were
denominated Patrica. Plutarch alludes to this Egyptian ceremony, and
supposes it to relate to Isis, and to her mourning for the loss of her son.
Speaking of the month Athyr, he mentions [913]Βουν διαχρυσον ἱματιῳ μελανι
βυσσινῳ περιβαλοντες επι πενθει της Θεου δεικνυουσιν (ὁι Αιγυπτιοι). _The
Egyptians have a custom in the month Athyr of ornamenting a golden image of
a bull; which they cover with a black robe of the finest linen. This they
do in commemoration of Isis, and her grief for the loss of Orus_. In every
figure, as they are represented in the sculpture, there appears deep
silence and reverential awe: but nothing that betrays any sorrow in the
agents. They may commemorate the grief of Isis; but they certainly do not
allude to any misfortune of their own: nor is there any thing the least
funereal in the process. The Egyptians of all nations were the most
extravagant in their [914]grief. If any died in a family of consequence,
the women used by way of shewing their concern to soil their heads with the
mud of the river; and to disfigure their faces with filth. In this manner
they would run up and down the streets half naked, whipping themselves as
they ran: and the men likewise whipped themselves. They cut off their hair
upon the death of a dog; and shaved their eyebrows for a dead cat. We may
therefore judge, that some very strong symptoms of grief would have been
expressed, had this picture any way related to the sepulture of a king's
daughter.
Public-domain text, read in full here on John Shaqi.
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