"Please play,"--interposed Lavretzky, hastily:--"pay no heed to me. It will be all the more agreeable to me if I know that I am not embarrassing you. And there is no need for you to bother about me; we old fellows have occupations of which you, as yet, know nothing, and which no diversion can replace: memories." The young people listened to Lavretzky with courteous and almost mocking respect,--exactly as though their teacher were reading them a lesson,--and suddenly all of them flew away from him, and ran over the glade; four of them took up their stand near the trees, one stood in the centre,--and the fun began. But Lavretzky returned to the house, went into the dining-room, approached the piano, and touched one of the keys: a faint, but pure sound rang out, and secretly trembled in his heart: with that note began that inspired melody wherewith, long ago, on that same blissful night, Lemm, the dead Lemm, had led him to such raptures. Then Lavretzky passed into the drawing-room, and did not emerge from it for a long time: in that room, where he had so often seen Liza, her image rose up before him more vividly than ever; it seemed to him, that he felt around him the traces of her presence; but his grief for her was exhausting and not light: there was in it none of the tranquillity which death inspires. Liza was still living somewhere, dully, far away; he thought of her as among the living, but did not recognise the young girl whom he had once loved in that pale spectre swathed in the conventual garment, surrounded by smoky clouds of incense. Lavretzky would not have recognised himself, had he been able to contemplate himself as he mentally contemplated Liza. In the course of those eight years the crisis had, at last, been effected in his life; that crisis which many do not experience, but without which it is not possible to remain an honourable man to the end: he had really ceased to think of his own happiness, of selfish aims. He had calmed down, and--why should the truth be concealed?--he had aged, not alone in face and body, he had aged in soul; to preserve the heart youthful to old age, as some say, is difficult, and almost absurd: he may feel content who has not lost faith in good, steadfastness of will, desire for activity.... Lavretzky had a right to feel satisfied: he had become a really fine agriculturist, he had really learned to till the soil, and he had toiled not for himself alone; in so far as he had been able, he had freed from care and established on a firm foundation the existence of his serfs.