English fiction -- 20th century -- History and criticism; Fiction
The future of genius lies with science and the State, because the State
has effected a corner in power and romance. For art and letters there is
little hope in a growingly mechanical civilisation, because the modern
powerful depend upon the mob and not upon each other; therefore, as
Napoleon said, they must be a little like the mob--be the super-mob. In
their view, as in the view of those who follow them, art cannot rival
money and domination. The mob hates the arts whenever they rise high,
for the arts can be felt, but not understood; at other times it scorns
them. Therefore, the arts must suffer from the atmosphere of
indifference they must breathe. They will not vanish, for mankind needs
always to express itself, its aspiration, its content, its discontent;
those three can be expressed only in the arts. But this does not mean
that the arts can aspire to thrones or be worthy of them; as science and
the State dwarf them, they must become little stimulants, sing little
songs that will less and less be heard amid the roar of the spinning
world.
GLASGOW: W. COLLINS SONS AND CO. LTD.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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