The correspondence now established itself, and with one excuse or another it prospered throughout the winter. Langbourne was not only willing, he was most eager, to give her proof of his reliability; he spoke of stationers in Springfield and Greenfield to whom he was personally known; and he secretly hoped she would satisfy herself through friends in those places that he was an upright and trustworthy person. Miss Simpson wrote delightful letters, with that whimsical quality which had enchanted him in her voice. The coaxing and caressing was not there, and could not be expected to impart itself, unless in those refuges of deep feeling supposed to lurk between the lines. But he hoped to provoke it from these in time, and his own letters grew the more earnest the more ironical hers became. He wrote to her about a book he was reading, and when she said she had not seen it, he sent it her; in one of her letters she casually betrayed that she sang contralto in the choir, and then he sent her some new songs, which he had heard in the theatre, and which he had informed himself from a friend were contralto. He was always tending to an expression of the feeling which swayed him; but on her part there was no sentiment. Only in the fact that she was willing to continue this exchange of letters with a man personally unknown to her did she betray that romantic tradition which underlies all our young life, and in those unused to the world tempts to things blameless in themselves, but of the sort shunned by the worldlier wise. There was no great wisdom of any kind in Miss Simpson's letters; but Langbourne did not miss it; he was content with her mere words, as they related the little events of her simple daily life. These repeated themselves from the page in the tones of her voice and filled him with a passionate intoxication. Towards spring he had his photograph taken, for no reason that he could have given; but since it was done he sent one to his mother in Vermont, and then he wrote his name on another, and sent it to Miss Simpson in New Hampshire. He hoped, of course, that she would return a photograph of herself; but she merely acknowledged his with some dry playfulness. Then, after disappointing him so long that he ceased to expect anything, she enclosed a picture. The face was so far averted that Langbourne could get nothing but the curve of a longish cheek, the point of a nose, the segment of a crescent eyebrow. The girl said that as they should probably never meet, it was not necessary he should know her when he saw her; she explained that she was looking away because she had been attracted by something on the other side of the photograph gallery just at the moment the artist took the cap off the tube of his camera, and she could not turn back without breaking the plate.