Then the merchant, followed by his visitor, passed them in review,
stopping before each one, and expatiating on her merits. There were
specimens there to please all tastes—slim and stout, short and tall,
black, copper-coloured, yellow, bronze, and white. There were
straight noses and flat, thick lips and mouths exquisitely small,
round eyes, almond-shaped, and some with oblique lids, such as are
met with in Jara. From an artistic point of view it was a pretty
sight, and the oldest of these girls was not yet twenty. Over that
age a woman is old in the East; nobody would buy her as a slave,
unless indeed she happened to be a good musician, a clever
sempstress, or a first-rate cook. Slaves are most valuable when from
eleven to fifteen years of age. They are then called _sedassi_,
before eleven _commassi_, and from fifteen to twenty _balègues_.
After twenty they are, as we say of horses, "aged."
The whole establishment had now been inspected, and M. Delange,
slipping a couple of piastres into the merchant's expectant hand,
left the place, his heart moved to pity by the sight he had just
witnessed.
A company of Almehs, to whom his guide, adhering to his programme,
next took him, were destined to modify his impressions considerably.
Now-a-days if you wish to see the genuine Almehs, you must visit
Khartoum, for they have for some time past been driven out from Upper
Egypt. Those whom travellers see at Cairo are simply courtesans, who
call themselves Almehs, just as their counterparts in India call
themselves bayaderes. The real Almeh or _a'ouâlem_, dates from the
times of the Pharaohs, and forms a distinct class. She has been
educated to a certain extent, and is frequently a good musician. She
never marries, at all events so long as she follows her profession,
and is noticeable for her independent bearing. Apart from her
profession she forms a part of the _demi-monde_ of her country, and,
when very talented, or very lovely, frequently and rapidly becomes
rich.
The house to which the faki conducted M. Delange was in a court-yard
not far from the slave-merchant's place of business, in a street as
narrow and gloomy as his, but more remote from the centre of the
town, and opening on to one of the quays of the Blue River.
After some preliminary overtures, for access to an Oriental interior,
of whatever kind it may be, is always difficult, M. Delange was
allowed to enter a large room where a troupe of Almehs were going
through the customary exercises in the presence of about twenty
spectators, Arabs mostly, seated on roomy _angarebs_, drinking coffee
and smoking chibouks.
Public-domain text, read in full here on John Shaqi.
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