A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
"Oh, don't!" shivered Sybil, "dear god-mamma! I hope I may go to
Greenwood before my little sister Dorrie does!"
And Mrs. Van Camp pushed the girl's dark hair back with a caressing
touch and said: "How devoted you two girls are to each other! You might
be twins. Even as children I never knew you to squabble or sulk. You,
Sybbie, had a furious temper, but your rages were almost always in
defence of Dorothy. Do you remember how you kicked the shins of the
gardener once because he had kicked her dog?"
"Yes!" laughed Sybil, "and scratched and bit a boy-tramp who attempted
to snatch her little locket from her neck. But I can't help loving her,
for she's the bravest, sweetest, jolliest, prettiest sister a girl ever
had, and she's all the world to me!"
And Mrs. Van Camp, laughing a little at her enthusiasm, held up a finger
and said, "Wait!"
And a bit later Sybil was on her way to the theatre, where Mr. Thrall
joined her, and together they walked to a house on Fourth Avenue, where
Sybil was presented to an ancient couple, who in the profession were
recognized as authorities on the subject of correct historic costuming.
Never had the girl received a greater surprise. She had expected a
stately and dignified presence, and certainly the sumptuous entourage of
a very fashionable dressmaker. But here there was no reception-room, no
parlor, no fitting-room, no boy in buttons. Here the thing that first
commanded attention and longest held it was the almost overpowering odor
of garlic. It led them through the little drab hallway, up the stairs,
and to the door of the stuffy and crowded living room, where an old
woman in a false front and a black alpaca dress and a snuffy old man in
carpet slippers received them.
And, as they heartily greeted the manager, Sybil wondered what on earth
there could be in common between the rich and splendid dresses she had
seen at the theatre and these frumpish old people, while she shuddered
at the thought of their stumpy, uncared-for hands, pulling about
beautiful satins and velvets. "But of course," she thought, "they have
people under them who do the real work." Afterward she knew that it was
the cunning of these same fingers that produced all the wonderful
embroideries in bullion and spangles that are so difficult to obtain in
this country.
Now, however, she saw that Mr. Thrall treated the couple most
deferentially. Indeed, he was secretly anxious to see what impression
his "Princess," as he mentally called Sybil, would make upon the old
pair, who had dressed every famous Juliet of the past twenty years, and
who were in their own way veritable artists.
Public-domain text, read in full here on John Shaqi.
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