A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
And at last Thrall's patience was rewarded as pearls came to the front,
and "Oh!" exclaimed Sybil, in amazed delight. For her idea of imitation
pearls had been founded upon the cheap bluish-white glass beads with
just a skim of wax for lining. Now she stood astonished by the weight
and lustre of these lovely things from Paris, where by some clever
artifice the scales of fish are used to produce upon the forms of almost
solid wax the wonderful "nacre" of the true gem of the sea. So artistic
was the work that small imperfections in shape and flaws in tinting had
been carefully reproduced, the monotony of a mechanical perfection being
thus avoided. Really they were very beautiful, and among those selected
strands intended for the throat it was as if color, having life and
breath, a rosy pink, had gently breathed across their milky lustre,
faintly flushing the swelling round of each great pearl. Nor were they
too frail for service; weight and solidity made them almost as durable
as the true jewel's self. And here was bunch after bunch of seed pearls,
so small, for embroidery on lace or satin; long strands for plaiting in
the hair, for the suspension from the waist of feather fan or tiny
mirrors à la Marie Stuart, when dauphine of France; great girdles for
the waist, whose pendant tassels fell almost to the wearer's feet. And
at last--at last, the heavy net which he so much wished to see upon that
waywardly waving dark cloud of hair!
Old Angelique, having raised a sternly instructing index finger to close
proximity with Sybil's glowing face, proceeded to strike off with it
upon the air these verbal commands: "You will do exact now as I tell
you, if you wish to look the little Juliet--so high-bred, so headstrong,
yet so young! Mais, _so_ young--mon Dieu! mon Dieu! comme--like a bébé!
Now make the mark of my words, Miss--Miss--er? Lawsons! oui! oui! merci!
For I have in the mind that Juliet--me--I know! So you must make no
height on the top of the head, no cross braid, no pile up curl, no
coronet! No--no! that make very handsome, mais--but not _the Juliet_!
Tumble the hair to the shoulders, half curl! No curl, all regular! Wat
is call 'em, 'em ring-a-let? No! no! half-curl, half-wave--oui! all
natural! And for the front, the hair all fluff--so! [puffing out her
breath]--low to the brows, that the big eyes look from under it, like
from a cloud. Then turn all back from the cheeks, after the manner of
the angels in the old masters' pictures! Obey me, and you shall see! The
city shall see! Why, even now!" She flung the net upon Sybil's head,
drawing a pear-shaped pendant pearl forward to rest upon her brow,
rapidly twisted the white lace scarf about her shoulders to hide the
street gown, threw a rope of pearls about her neck, and with triumphant
eyes turned to Thrall, saying: "Is not the Italian angel's the coiffure
correct for this, Miss Lawsons?"
Thrall answered, briefly, "Quite correct!"
Public-domain text, read in full here on John Shaqi.
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