A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
When this was being explained Sybil asked gravely, but with dancing
eyes: "Where were the rest of the Capulet family that night, I wonder?
Such a dreadful row would bring the entire household, maids and
stable-boys included, to the rescue. I thought this potion-taking was a
secret between the Friar, Romeo, and Juliet? I believed she was half
suffocated with the horror of the scenes she conjured up, and gasped the
words out. Then that scream would be just as effective, I should think,
if she fell on her knees near the bed and stifled her shrieks in the
pillows or the bed-clothing. Would not the suppressed, almost
whispering, voice add to the sense of secrecy--of danger?"
And Thrall, whenever it was possible, permitted her small innovations,
was even proud of them, as evidences of her natural ability. And so it
came about that this new Juliet had a tang of originality about her that
was delightful to the old theatre-goer; while the remarkable
appreciation of the public for sheer physical beauty was shown night
after night in the rounds of applause it bestowed, one after another,
before a line was spoken by the ill-fated lovers as they were
"discovered" in Juliet's chamber.
Thrall had taken his idea in part from a picture he had seen abroad. The
balcony of Juliet's wide-open window, all swathed in vines, lay before
the audience. The silken ladder, plainly seen between the tubbed
oranges, dangled from the ledge; the room in some disorder; the
bed-curtains drawn close; low burnt candles on the dressing-table;
Juliet with feet thrust into small Turkish mules, all free from pearls
or ornament of any kind--a sort of idealized robe de chambre, white,
trailing voluminously, frothed with lace, its open wing-like sleeves
touching the floor, fell free from chin to foot, while all the dark mass
of hair tumbling riotously over shoulders and clouding about her level,
tragic brows suggested the new dear freedom of the nuptial chamber.
In the picture, then, that the public loved, Romeo, close cap on head,
long travelling cloak depending from his shoulders--being under the ban
of the law--was secretly about to leave his few hours-made bride. Out on
the balcony, with right foot on the silken ladder, he rested the left
bent knee upon the balcony's ledge. With right arm aloft he steadied
himself by holding to the vines above, while with his left arm he
crushed the slender, white-robed figure close. Upon his breast her face
was resting, with maddening lips and glowing eyes uplifted, her round
young arms wreathing his neck; the warm, soft hair flowing over his
hand and arm, seeming to him magnetic, alive, tingling!
So he stood, a gracious shape, with regular fine features, with heavy
amorous lids and sweeping black lashes that, downcast, helped to soften
the almost savage love burning in the blue depths of his bold eyes.
Public-domain text, read in full here on John Shaqi.
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