A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Sybil was living in a sort of trance. Stewart Thrall had become her only
law. This great success she accepted as a direct gift from him. She had
been so helplessly poor, friendless! He, only, had discovered some
talent in her, and she had been at first ashamed because she was
dependent upon him for all the means of making anything of herself
until--until, oh, pride! oh, joy! wonderful! inexplicable! he loved her!
Then all was changed. She could go to him in every difficulty--she could
accept help, instruction, everything, without thought of shame. Before,
she had simply regarded him as the master of a beautiful art, as a stern
and exacting teacher, whose approval was hard to win--until love came to
glorify and lift her up to the high throne of his heart.
And so absolute, so unquestioning was her faith and pride and trust,
that she had as yet no thought at all of shame or of wrong done, but
breathed the incense of public worship and read and re-read her printed
praises, and saw the turning heads in the street, the nudging elbows,
heard the swift whisper: "There she is--there's Sybil Lawton!" and all
day long dreamed of that moment on the balcony when they two were as
alone as though they stood upon an island and the applause was surf
thundering an accompaniment to his passion-choked words.
It was a double intoxication--that of both mind and heart. For a little
space her life was pure joy, without one clouding thought of--_after_;
without conscious knowledge of the envy and calumny, the conflict and
detraction going on about her. Occasionally she heard allusions to the
"Missus," as when some one would "wonder how the Missus would like this
or that," and once or twice she had intended to ask Jane Stivers whether
it was a nickname or just a slang term. But what did it matter--what did
anything matter?--save to win the approbation of Stewart Thrall, and
consequently the public.
And Thrall, spoiled by the world, looking back along the twenty arid
years between them, saw dead passions cast aside like so many outworn
gloves; knew the price of every illegitimate whim, and had seen his own
danger. Yet instead of flying from it he had trusted to the strange new
desire he felt to help, to guard, to advance the interests of another,
and now he found himself dominated by a great passion, such a one as
none who knew him gave him credit for.
Jim Roberts writhed miserably, crying: "She thinks he loves her! Great
God! See her worshipping eyes! But it's not love with him--it's the joy
of the pursuit; damn him! Why, oh, why do good women always love such
men? Even if I were a man instead of a miserable wreck, just trembling
to the fall--my reverent worship, my humble, waiting, devoted love would
stand no chance against him or one like him! But why?"
Poor Jim did not know that it is the bold man, who, not restrained by
deep respect, pushes past the reverent waiting one, and speaking first,
is first loved; and worthiness all unconsidered!
Public-domain text, read in full here on John Shaqi.
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