A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
She sat as in a trance, her heart thrilling to the music of a voice that
even the public found irresistible. Half her torture had been in the
belief that she had become contemptible in his eyes--that she had been a
mere "pour passer le temps"; therefore, this homage had something of
comfort in its respectful wording as he went on: "I have experience,
knowledge, skill; let me use them for your advancement. You shall be
left free to study, to realize your beautiful ideals, unhampered by
commercial questions of any kind. I will do my best, my very best, to
warn you away from pitfalls of mannerisms; to polish and refine without
producing artificiality. The service of my whole life shall be
yours--the sole object of my life, the secure placing of the dramatic
crown upon your head; and in return I ask [he held out empty, trembling
hands] such scraps of affection as may fall from your table of family
love--such crumbs of your time as you can spare to me!"
And that humble pleading came from Stewart Thrall, to whom love had been
before such a tumultuous, triumphant distraction and amusement!
The girl flushed and paled, but kept her sombre eyes averted from the
face, where rage had changed to tender pity and passionate pleading.
"Sybil?" he almost whispered.
Still she was silent. It was very hard what she had in mind to say. This
winning, gracious man had been the hero of all her girlish dreams, as
well as the honored "master," who was arbiter of her fate, and only now
she realized how he had absorbed her life--how hard it was to give him
up, all in a moment. Poor child! this second peril was almost greater
than the first; but, worn and weary, she was incapable of reasoning, of
seeking out motives then.
"Sybil?" came again the dear, tempting voice, "if I begged for bread,
you would not treat me so! Beloved, answer me!" Kneeling there he
reached out his arms and clasped her waist. "Answer me, at least!"
She sprang to her feet, and as she put her hands behind her, striving to
break his strong clasp, she answered confusedly, brokenly:
"I--I--can't--I must go--go quite away! You must know that! I--I--can't
play--ever--any more!"
Very compassionately he reminded her: "You must have learned before
this, Princess, the inexorable claim of the stage. Nothing but death
releases an actor from duty."
"Well," she answered, bitterly, "that Sybil Lawton _is_ dead!"
His face contracted painfully, but he answered steadily: "The world does
not know that. It would be fatal to us all to close. I am sorry, but
the play must go on, beloved."
Like lightning she recalled the warm hand pressures, the whispered sweet
"asides," the passionate love-scene, and that long embrace in the
chamber balcony, and cried out sharply: "With _you_? with _you_? I must
act again with _you_?"
Public-domain text, read in full here on John Shaqi.
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