A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Actors and certain critics knew that that swallow-like skimming from
laughing badinage to biting satire--that fine restraint, that incredible
lightness of touch was backed by certainty, that certainty meant
knowledge, and that knowledge meant work. Yet, though Thrall told her
again and again that she had in herself the same mocking spirit that
informed Beatrice, she would have it that he and he alone had made the
performance possible to her. And though he denied it, the assertion was
like nectar to the vanity of the artist--like balm to the heart of the
man who longed to serve her.
And as it happened the newspapers had, in so many words, hailed her as
Queen of the Stage. The term had not been inspired by a suggestion from
him. It was extravagant, perhaps, but it was impromptu. And as he read
it, the blood swept over his face so redly that the watchful eyes of
Mrs. Thrall, sitting behind the tea-urn at the breakfast-table, saw and
noted, and when he had left for the theatre, she had studied eagerly
that side of the paper, but could not solve the riddle of that deep
flush of pleasure. For, though the notice of the play was very
flattering to his Benedick, he could not be moved so by the praise of a
single newspaper, she thought, even though he triumphed doubly as actor
of a part and as managerial producer of nobly correct scenery.
No, she could not solve the riddle; she could never have understood
that, because the praise had not been extorted, it was doubly precious,
or that one who lauded Sybil--magnified him.
* * * * *
"Yes," the girl said to herself, as she sat there, "he has crowned me,
but--" She sighed, and turned the ruby to catch the light. "I wonder
what your message is? One word, he says; perhaps it's _faith_. And yet,
no! that would be satirical. What is there to be faithful to--no
churchly vows! no!" she bit her lip to silence.
She missed Dorothy very greatly, now, in the lull that always follows
the hurry and excitement of preparing for a production, for an irregular
love is a great isolation--of necessity.
Dorothy, now two years a wife, had become so precious that she might no
more be permitted to pass through that tunnel than to kneel before the
car of the Juggernaut. Indeed, Leslie challenged the right of the very
winds of heaven to blow too harshly on her face, and if any sweet folly
of exaggerated care escaped him John Lawton was on hand to bring it to
his attention.
Public-domain text, read in full here on John Shaqi.
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