A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
"Poor little fool!" she murmured, contemptuously now, for she recalled
that for a time in her infatuation she had felt how ineffably superior
was her own romantic, secret, self-sacrificing love to the dull,
commonplace, strictly legalized affection of Dorothy and Leslie. But
since then--oh, since then! she had had time to wake from her beautiful
dream, she had had time to think and to suffer. She knew now that the
beautiful temple of love must stand on a foundation of legality, or it
would tremble dangerously under every wind that blew! She no longer
found anything to deride in the word "propriety," since she had come in
bitterness of spirit to realize its meaning: "What ought to be--what
should be." And dear Dorothy's life was what it should be, and she had
peace and security and had never known humiliation. "Humiliation!" Sybil
twisted her hands and gasped aloud, "God! oh, God!" at the recollections
that came to her. For Stewart Thrall's wife had kept her word and stood
at his side, and shared his popularity, and applauded him from her box,
and called him "dear" before all men on all possible occasions. And
suspecting that Sunday evenings might not be spent with "the boys," she
had inaugurated small "at homes," to give her dear Stewart a chance to
gather his valued friends about him in his own home. And he who had
never disregarded public opinion felt compelled to dance attendance upon
his wife in name, who held him to his bond for her vanity and
convenience. The trite endearments necessity forced from his lips were
torture to Sybil when she chanced to hear them; and oh, the agony of a
woman, who is secretly loved, when she sees the man who is hers--for
whom she has paid with her pride and honor and self-respect--held to the
side of another woman, by her legitimate rights! Just as maddening pain
will sometimes drive a sufferer to press upon the torturing wound, so
Sybil would cry to herself: "She is his true wife, and I am a--caprice!"
It was not true, she knew it was not true, yet a strange necessity for
self-torture forced her to repeat the cruel words, as it forced her
often to remind Stewart that it was time for him to hasten to some
appointment, to drive or to lunch with Mrs. Thrall, who much enjoyed
displaying publicly the devotion of her actor-husband. And once, when
Sybil had longed to attend a sacred concert that offered her an only
opportunity to hear a certain great singer, she had been forced either
to accept Roberts's escort or remain at home, because Mr. Thrall learned
at the last moment that Lettice had invited a large party, who were to
return afterward and sup with them in the informal way "dear Stewart so
enjoys." And, having swiftly decided in favor of a long evening of
loneliness at home, taking a bitter pleasure in her own suffering, she
had tried to hasten his departure, saying: "A man should never keep his
wife waiting."
Public-domain text, read in full here on John Shaqi.
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