A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
"Yes, sir," replied that young man of amazing collars, throwing back his
head and tilting up his cruelly scraped jaw in an effort to escape the
strangle-hold of the white linen long enough to answer his employer's
question. "Yes, sir; but--but you remember you were standing on the
stage when you called out to me to hold the right-hand box, and I
thought you meant the box to your right as you stood, and that, of
course, is the left box on the seat chart; and so I reserved that,
and----"
"And spoiled the evening for Miss Morrell, who, for some reason, will
never occupy a seat on the left of the house if she can help it."
"Well, sir, I thought----" writhed and twisted he of the collar.
"Don't think, then, Barney. I'll do the thinking if you'll do the
obeying. Next time ask--that's easier than thinking, or [with a laugh]
it would be to anyone else. Barney, that infernal collar will cut your
head off one of these days. Why don't you have it lowered a couple of
inches and enjoy some of the comforts of life?" And, striking a match,
he lifted it toward his cigar, stopped suddenly, shook out the small
flame, put the cigar back into the box on the shelf, and turning to
Barney said: "I'll take your place five minutes. I want you to run as
quickly as you can round to the confectioner's and get me some sugared
violets. Hurry, now, that's a good fellow!"
And Barney, snatching his hat from the nail, made a dash for the street,
wondering as he ran "who was coming to see the governor, for, of course,
he wasn't going to squat down there alone and stuff himself with
violets." By which anyone can see what a coarse-minded young person this
seller of tickets was.
But he was swift of foot, and was soon back in his place at the office
window, while, dainty package in hand, his employer came out, crossed
the vestibule, and, entering his private office, proceeded to untie his
parcel and pour the fragrant, crystallized violets into a charming
bonbonnière standing on the corner of his desk.
The prevailing tone of this room was a dull, rich red, and it made an
agreeable background for the figure of the man standing there, Stewart
Thrall, the actor-manager of the Globe Theatre, who was at that moment
expecting a call from the popular actress, Claire Morrell, and a certain
young lady who wished (oh, foolish young lady!) to go upon the stage. A
tall man, of excellent figure. He was a well-groomed, clean-skinned man.
There was nothing of the long-haired, floating necktied, fur-coated,
comic-journal actor about him. He was no "beauty man," either; but, as a
certain very great lady had once truly said, "He had eyes and a manner."
Public-domain text, read in full here on John Shaqi.
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