A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
He hurried a bit, for he knew that Claire Morrell was very exact in
keeping her appointments, and that she might come in at any moment now,
with her confounded stage-struck protégée, to whom he would never have
given a thought, let alone an engagement, for he hated amateurs, had it
not been that he had met the clever and witty, if ancient, Mrs. Van
Camp, and knew her to be of the best old Dutch stock. Therefore, it
would rather flatter his vanity to be able to exploit the name of her
god-daughter as a member of his company, if only she might not be too
heavy a load of awkward self-consciousness--if only she might be
moderately good-looking. And then he set the picture down hard, with its
long wire hooping, and coiling, like a live and very angry thing about
it, and whistled, exclaiming aloud: "Oh, by Jove! I wonder if either of
those bright and pretty girls the Morrell had with her last night might
be the protégée? They were both charming, but how that dark one did
light up when Morrell led the applause for my Queen Mab speech! But no
such luck, I suppose!"
And, man-fashion, he drew out his handkerchief to dust the small
wingless Love on the pedestal between the draped curtains of a
mock-window, whose long Holland shade really covered a very narrow door,
spring locked and never used--never, one could readily understand that
from the inconvenience of its approach, but Mr. Thrall carried the key.
And out in Broadway Claire Morrell was saying: "It's so very tiring,
this shopping; suppose, Miss Lawton, that we step in at the theatre and
see if Mr. Thrall is there now, instead of making a special trip
to-morrow. If he is in he will see us, if he has gone home we can cool
off in the dark auditorium. What do you say, Miss Dorothy?"
For Miss Morrell had kept her talk with the manager and her appointment
a secret, feeling that Sybil would thus be more at her ease, more
natural in manner, than she could possibly be if she knew she was being
inspected or examined, like a servant seeking a new place. And now, as
the sisters smilingly consented to her plan, she turned in between the
big billboards that announced the week's run of "Romeo and Juliet," with
the name of the lady star in very, very large letters and "supported by"
in small type. Then the name of the gentleman who played Romeo appeared
in letters two sizes smaller than those of the star, and lower down, in
quite small type, one read: "Mr. Stewart Thrall as Mercutio."
And Sybil tapped the letters with her parasol-tip, and said: "His
performance was the best in the play. Why are his letters not the
biggest?"
And the actress laughed, as she answered: "Children always ask difficult
questions. Wait till you're older, my dear. Perhaps this time next year
all this mystery of type and printers' ink will be clear to your
understanding. But you are right about the acting of Thrall; his
Mercutio is the best of his time."
Public-domain text, read in full here on John Shaqi.
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