A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
"The greatest stumbling-block in her way is that, so far,
she simply cannot talk while walking. She speaks her exit
speech standing still, and then walks off in an awkward
silence, or she walks to the door silently, then speaks her
lines and _pops_ off--making the house laugh.
"To-day Jim Roberts has taken her in hand, and out on the
stage I can hear this going on: (Girl's voice) 'I will go'
(Jim's voice, warningly: 'Step!') 'to my aunt's' (Jim:
'Step!') 'and say' ('Step!') 'I shall keep' ('Step!') 'my
promise' ('Step!') 'to marry Harry!' ('Exit!!' shouts Jim.)
'Now, Miss Sybil, try it again, and say "step" to yourself
this time. Pretty soon your feet will carry you along
unconsciously.'
"Now her voice, sounding very forlorn and unbelieving,
begins: 'I will go (step) to my aunt's (step)----'
"It sounds awfully funny, but she's a persistent little
devil, and she will hang on till she can make a decent exit.
"I'd like to bet something, old man, that I'm on to your
game! You are not a man to put me into baby-farming like
this for nothing. Well, good luck! She's bright and quick,
and I'm crowding as much 'shop' into her head as I can on
short notice. Jim Roberts has done a good deal in the way of
teaching her technicalities. She understands all the
entrance directions, the uppers and lowers and centres, etc.
"I believe that's all. Any further orders will be attended
to. Thank you for the use of that play--it pulled us through
in fine shape.
"Fraternally,
"J. A. WILLIAMSON."
By the same mail there had come a second letter from the theatre at the
Soldiers' Home. It was written with woful shakiness showing in every
spidery line, and with more than a spider's venom in its words. The
envelope held, too, a folded ten-dollar note, which was a return for the
like amount paid out by Thrall to a certain Mrs. Hoskins, who in her
character of suspicious landlady had basely broken her promise "to wait
a week," and had impudently presented her claim against Roberts to his
manager--which was certainly an injurious proceeding and treacherous as
well. Therefore the letter opened with some remarks about landladies,
individual and in bulk, and though his style was a trifle florid and
his spirit somewhat bitter, he nevertheless showed a thorough and
discriminating knowledge of his subject, particularly where he pointed
out the difference between a "she-shylock" and a harpy (Mrs. Hoskins was
a harpy), the shylock being, he declared, ever satisfied with her single
pound of flesh, while the harpy, beginning with your eyes, picks your
every bone bare, and then tries to reach through your vitals.
Having eased his bosom of much perilous stuff, he went on:
Public-domain text, read in full here on John Shaqi.
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