A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
himself--yes, and play Romeo, too! But as I live by bread, Stewart, my
boy, there must be no Bessie in this case, or something will
happen--something that would have happened five years ago had I not been
as completely under the spell of your fascination as ever she was, poor
little maid! Hello, here we are, and the train coming, thank the Lord!"
Roberts hurried through the little waiting-room, past the small office,
from which came the curt, short "tick-tick tack" that is as the voice of
the ever-imperative telegraph wire, crossed the open space, tripping
over the line of rails in the darkness, clambered up the steps, and
entered the purgatorial heat of the car, made nauseating by the odor of
banana and stale orange-peel, and dropped into a seat by the side of a
sleeping man, only to spring up again when suddenly aware that he had
sat upon a bottle.
The movement aroused the sleeper, who, with his hat on the back of his
head and a lock of hair clinging damply to his forehead, muttered
apologies as he gathered up his overcoat out of the way. Having felt
carefully in one of its outer pockets, he turned to Roberts with that
loose smile of world-embracing geniality peculiar to the good-natured
man who is "three sheets in the wind," and thickly remarked: "I's all
right! Best kind of glass! I've sat on that flask dozen times myself 'nd
never cracked it!" His head wobbled a moment, then he added,
confidentially: "Soon's I can think--w-where in thunder I put
cup--w-we'll have a drink together--like little men, eh? Why h-here it
is, r-right in other pocket! Been a b-bear it might 'a' tore my
g-gizzard out! Join me?"
Jim Roberts glanced a moment down the brilliantly lighted, well-filled
car, then clenched his hands and, drawing a long, almost sobbing
breath--declined.
"W-what's--w-what's reason you won't join me?" demanded the stranger,
indignantly, yet showing at the same time a disposition to weep. "W-what
have I done--say, now, w-what have I done? Slept with my m-mouth open, I
s'pose? Slept out loud, too--very likely? But w-what of that? It isn't
pretty, of course--but's no crime--eh?" He brought forth the metal cup
and carefully wiped it out with a stubby forefinger, while he tearfully
added that "the very dogs in the streets'd bark at him when they knew a
gentleman had refused to drink with him!"
Public-domain text, read in full here on John Shaqi.
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