But other things less pleasant to hear were said about the young fellow
with the prematurely grey hair, and the deep lines of sadness in his
face. People whispered of “a far-away look in his eyes,” and asked each
other what the story was about the man who had been shut up in the east
wing at Wyngham House. And they wondered why Mr. Bradfield had left so
suddenly for the Continent, and whether it was true that Wyngham House
was to be sold.
But none of these rumours troubled Chris or her future husband, whose
scarcely concealed worship of each other caused many a kindly smile.
Chris was quite astonished at the number of friends she had, as the
quality and quantity of wedding presents that poured in proved, for
everybody’s opinion of the perfect fool had gone up when everybody
heard that she was going to marry a man with thirty thousand a year.
A much smarter wedding than that of Richard Wryde and Chris Abercarne
took place about the same time as theirs. It was that of James Stelfox
with a young woman to whom he had long been attached, and who was
enabled, through the generosity of Richard, to indulge her heart’s
highest ambition, and to be married in a white satin train six
yards long, with a veil of corresponding proportions. She had eight
bridesmaids, who all wore mauve satin frocks and primrose-coloured
hats, and the portrait of the bride and an account of the ceremony
appeared in _The Woman’s World of Fashion_.
Richard Wryde had set his late servant up as the proprietor of a
brand-new hotel, for he persisted in being passionately grateful to the
man who had been the means of saving his reason and his life, in spite
of Stelfox’s own gentle remonstrances.
“If you’ll only believe me, sir,” he would say earnestly, “it was just
a toss up whether I took your part or Mr. Bradfield’s. For you were
that savage when it first occurred to me to take you in hand, that I
didn’t know how it would turn out myself. It was just a lucky ‘spec’ on
my part, sir.”
But Dick will not believe this, neither will Chris. They are both
rather old-fashioned, unworldly creatures, tinged with a simplicity
which comes to him through his long confinement, and to her through
sympathy with him, and they are a little out of touch with the cynical
spirit of the times.
They live quietly in the lake district, for Richard Wryde, through his
long deafness, cannot hear a louder noise than that of his wife singing
or playing the piano, or the splash of the water of the lake, or the
cries of their children at play.
THE END.
Public-domain text, read in full here on John Shaqi.
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