To show that he understood--that he sympathised, he just patted her
hand two or three times. This was absolutely the only movement of his
which differed in any way from the conventional manners of a well-bred
man towards a lady.
When she had finished her tea, he gently took the cup from her, and,
commanding her with a gesture of gentle authority to remain where she
was, he set about the work on which she had been engaged on his first
appearance.
Under her directions he folded up curtains, examined tables, collected
weapons and other _bric-à-brac_, until there was nothing left for her
to do. From time to time, however, she saw him glance towards the door,
evidently watching for someone, and when at last the servant appeared
who had been sent to put the lights out, Mr. Richard slid quickly
behind the stage out of sight.
Chris was sorry that she had had no opportunity of bidding him
good-bye. She knew that he would not dare to come out in the presence
of the parlour-maid, and she had no excuse to make to remain behind
when the girl had put the lights out. All she could do was to make sure
that the barn door was left unlocked when they came out.
On the way across the meadow Chris took care to be left behind, though
she thought the girl looked at her curiously. She wanted to see that
Mr. Richard got safely out of his hiding-place, although from the
intelligence he had shown she had little doubt that he would do so.
Just as she was passing the copse of beeches and American oaks which
hid the stables from the house, he came up with her. As she turned
towards him with a start he held out his hand. As she had placed hers
within it, Chris was startled to hear Mr. Bradfield’s voice shouting
some order to one of the gardeners. He was standing at the bottom of
the flight of steps which led up to the house.
At first Mr. Richard did not appear to recognise his voice. But when
Chris started, and threw a frightened glance towards the house, he
followed the direction of her eyes, and saw as clearly as she did the
figure of Mr. Bradfield in the light thrown by the hall lamps through
the open door.
In an instant his whole aspect changed. The tender look in his eyes
gave place to an expression of the fiercest anger; his face seemed
transformed; he snatched his hand from hers, and uttering again the
wild sounds which had so much alarmed her on the first occasion of her
meeting him, he sprang away from Chris in the direction of the master
of Wyngham House.
Public-domain text, read in full here on John Shaqi.
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