This specter stands quite apart from the other sorrows of our life; age
seems powerless to forget, and time will not bring its ever-fresh,
recurring scenes to erase the memory of the past. This is not because
the skeleton is really such a dreadful guest. The kind and loving ivy
creeps tenderly around each yawning scar and crumbling stone, until the
whole ruin is covered with a lovely green. The decaying pile stands free
and open to the sun and rain and air. It does not hide its head or
apologize for the blemishes and seams that mark its face, and a kind,
forgiving nature takes the ruin, scars and all, and blends these with
her softening years and lovely face into a beautiful harmonious whole;
but unlike the ruin, the skeleton in the closet is a neglected, outcast
child. With every breath we insist that there is nothing in the room. We
refuse to take it to our hearts and homes and acknowledge it as our own.
We seek to strangle it to death, and each fresh attempt not only shows
our murderous design, but proves that the skeleton is not a pulseless
thing but is endowed with immortal life. The brighter the fire-light
that glows around our hearth, the more desolate and drear sounds the
wail of the wind outside, for through its cold blasts wanders the
outcast, whose rightful place is in the brightest corner of the room.
Our constant annoyance and sorrow at this dread presence is not caused
by the way the skeleton behaves to us, but from the way we treat our
guest. If we looked it squarely in its grinning skull, it might not seem
so very loathsome to the sight. It has the right to grin. It may be but
a grim smile over the consciousness that it has sounded the last sorrow
and that henceforth no greater evils are in store; it may be a mocking,
sardonic grin at the thought of our discomfiture over its unwelcome
presence and the knowledge that we cannot drive it out.
Public-domain text, read in full here on John Shaqi.
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