There is no truer index to real character than the way we treat the
skeletons with which we live. Some run to the closet door, and try to
lock it fast when a neighbor comes their way. If perchance any fear of
discovery is felt, they stand guard outside and solemnly protest that
there is nothing in the room. Their anxiety and haste plainly show fear
lest their hated guest shall reveal its face; and of course there rises
in the neighbor’s mind a vision of a skeleton more horrible by far than
the one inside the door or than anyone can be. If the luckless jailer
really fears that the rattle of the prisoner’s bones has been heard
outside, he feels it his duty to carefully explain or tediously cover up
every detail and circumstance that caused the presence of the specter in
the house. All this can only show that the guest is terrible to behold
or that the jailer is so poor and weak that he himself is a helpless
prisoner to his foolish pride and unmanly fear. It can only serve to
emphasize the presence he tries so vainly to deny. There are also those
who know that their skeleton has been seen, or who having lost all else
but this persistent, grinning guest, drag it out and parade it in the
world to gain the sympathy or the money of their neighbors and their
friends, like the crippled beggar standing on the corner holding out his
hat to every passer-by. The true man neither guiltily conceals nor
anxiously explains nor vulgarly parades. He lives his life the best he
can, and lets it stand for what it is. A thousand idle tales may be true
or false. One may have seen but certain things, and placed him with the
saints. Another little soul, who never felt the breadth and depth of
human life, may have seen his scars alone, and cast him out. But
standing by his side, or clasping his strong, sympathetic hand, no one
thinks of halos or scars or asks an explanation of this or that, for in
his whole being is felt the divine presence of a great soul, who has
lived and loved, sinned and suffered, and been strengthened and purified
by all.
Public-domain text, read in full here on John Shaqi.
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