Conrad, Joseph, 1857-1924; Novelists, English -- 20th century -- Biography
I suppose that, being no longer very young, I might have been on the
verge of having a stroke; but she had left her dog in the porch, and my
boy's dog, patrolling the field in front, had espied him from afar.
He came on straight and swift like a cannon-ball, and the noise of the
fight, which burst suddenly upon our ears, was more than enough to scare
away a fit of apoplexy. We went out hastily and separated the gallant
animals. Afterward I told the lady where she would find my wife--just
round the corner, under the trees. She nodded and went off with her dog,
leaving me appalled before the death and devastation she had lightly
made--and with the awfully instructive sound of the word “delightful”
lingering in my ears.
Nevertheless, later on, I duly escorted her to the field gate. I wanted
to be civil, of course (what are twenty lives in a mere novel that one
should be rude to a lady on their account?), but mainly, to adopt the
good, sound Ollendorffian style, because I did not want the dog of the
general's daughter to fight again (encore) with the faithful dog of
my infant son (mon petit garcon).--Was I afraid that the dog of the
general's daughter would be able to overcome (_vaincre_) the dog of my
child?--No, I was not afraid. . . . But away with the Ollendorff
method. However appropriate and seemingly unavoidable when I touch upon
anything appertaining to the lady, it is most unsuitable to the origin,
character, and history of the dog; for the dog was the gift to the child
from a man for whom words had anything but an Ollendorffian value, a man
almost childlike in the impulsive movements of his untutored genius, the
most single-minded of verbal impressionists, using his great gifts of
straight feeling and right expression with a fine sincerity and a strong
if, perhaps, not fully conscious conviction. His art did not obtain,
I fear, all the credit its unsophisticated inspiration deserved. I am
alluding to the late Stephen Crane, the author of “The Red Badge
of Courage,” a work of imagination which found its short moment of
celebrity in the last decade of the departed century. Other books
followed. Not many. He had not the time. It was an individual and
complete talent which obtained but a grudging, somewhat supercilious
recognition from the world at large. For himself one hesitates to regret
his early death. Like one of the men in his “Open Boat,” one felt that
he was of those whom fate seldom allows to make a safe landing after
much toil and bitterness at the oar. I confess to an abiding affection
for that energetic, slight, fragile, intensely living and transient
figure. He liked me, even before we met, on the strength of a page or
two of my writing, and after we had met I am glad to think he liked me
still. He used to point out to me with great earnestness, and even with
some severity, that “a boy _ought_ to have a dog.” I suspect that he was
shocked at my neglect of parental duties.
Public-domain text, read in full here on John Shaqi.
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