Conrad, Joseph, 1857-1924; Novelists, English -- 20th century -- Biography
Some very queer thoughts passed through
my head while I was considering my answers; thoughts which had nothing
to do with seamanship, nor yet with anything reasonable known to this
earth. I verily believe that at times I was light-headed in a sort of
languid way. At last there fell a silence, and that, too, seemed to
last for ages, while, bending over his desk, the examiner wrote out my
pass-slip slowly with a noiseless pen. He extended the scrap of paper to
me without a word, inclined his white head gravely to my parting
bow. . . .
When I got out of the room I felt limply flat, like a squeezed lemon,
and the doorkeeper in his glass cage, where I stopped to get my hat and
tip him a shilling, said:
“Well! I thought you were never coming out.”
“How long have I been in there?” I asked, faintly.
He pulled out his watch.
“He kept you, sir, just under three hours. I don't think this ever
happened with any of the gentlemen before.”
It was only when I got out of the building that I began to walk on
air. And the human animal being averse from change and timid before the
unknown, I said to myself that I really would not mind being examined
by the same man on a future occasion. But when the time of ordeal
came round again the doorkeeper let me into another room, with the
now familiar paraphernalia of models of ships and tackle, a board for
signals on the wall, a big, long table covered with official forms
and having an unrigged mast fixed to the edge. The solitary tenant
was unknown to me by sight, though not by reputation, which was simply
execrable. Short and sturdy, as far as I could judge, clad in an old
brown morning-suit, he sat leaning on his elbow, his hand shading his
eyes, and half averted from the chair I was to occupy on the other side
of the table. He was motionless, mysterious, remote, enigmatical, with
something mournful, too, in the pose, like that statue of Giugliano (I
think) de Medici shading his face on the tomb by Michael Angelo, though,
of course, he was far, far from being beautiful. He began by trying to
make me talk nonsense. But I had been warned of that fiendish trait, and
contradicted him with great assurance. After a while he left off. So
far good. But his immobility, the thick elbow on the table, the
abrupt, unhappy voice, the shaded and averted face grew more and more
impressive. He kept inscrutably silent for a moment, and then, placing
me in a ship of a certain size, at sea, under conditions of weather,
season, locality, etc.--all very clear and precise--ordered me to
execute a certain manoeuvre. Before I was half through with it he did
some material damage to the ship. Directly I had grappled with the
difficulty he caused another to present itself, and when that, too,
was met he stuck another ship before me, creating a very dangerous
situation. I felt slightly outraged by this ingenuity in piling trouble
upon a man.
“I wouldn't have got into that mess,” I suggested, mildly. “I could have
seen that ship before.”
Public-domain text, read in full here on John Shaqi.
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