_Athenes me montra mon superbe ennemie;_
_Je le vis, je rougis, je plaîs, à sa vue;_
_Un trouble s'éleva dans mon âme éperdue;_
_Mes yeux ne voyaient plus, je ne pouvais parler,_
_Je sentis tout mon corps et transir et brûler;_
_Je reconnus Venus et ses traits redoubtables,_
_D'un sang qu'elle poursuit tormens inévitables._
_Yes;--Athens showed me my proud enemy;_
_I saw him--blushed--turned pale;--_
_A sudden trouble came upon my soul,--_
_My eyes grew dim--my tongue refused its office,--_
_I burned--and shivered;--through my trembling frame_
_Venus in all her dreadful power I felt,_
_Shooting through every vein a separate pang._
It is quite clear that since Athens showed her her proud enemy
Hippolytus, she _saw_ Hippolytus; if she blushed and turned pale, she
was doubtless _troubled_. It would have been a pleonasm, a redundancy,
if a stranger had been made to relate the loves of Phædra; but it is
Phædra, enamored and ashamed of her passion--her heart is
full--everything escapes her:
_Ut vidi, lit perii, ut me malus abstulit error._
_Je le vis, je rougis, je pâlis, à sa vue._
I saw him--blushed--turned pale.--
What can be a better imitation of Virgil?
_Mes yeux ne voyaient plus, je ne pouvais parler;_
_Je sentis tout mon corps et transir et brûler;_
My eyes grew dim--my tongue refused its office;
I burned--and shivered;
What can be a finer imitation of Sappho?
These lines, though imitated, flow as from their first source; each word
moves and penetrates the feeling heart; this is not amplification; it is
the perfection of nature and of art.
The following is, in my opinion, an instance of amplification, in a
modern tragedy, which nevertheless has great beauties. Tydeus is at the
court of Argos; he is in love with a sister of Electra; he laments the
fall of his friend Orestes and of his father; he is divided betwixt his
passion for Electra and his desire of vengeance; while in this state of
care and perplexity he gives one of his followers a long description of
a tempest, in which he had been shipwrecked some time before.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account