There is no occasion to read Aristotle, Cicero, and Quintilian, to feel that an advocate who begins by a pompous exordium on the subject of a partition wall is ridiculous; it was, however, the fault of the bar until the middle of the seventeenth century; they spoke with emphasis of the most trivial things. Volumes of these examples may be compiled; but all might be reduced to this speech of a witty advocate, who, observing that his adversary was speaking of the Trojan war and of Scamander, interrupted him by saying, "The court will observe that my client is not called Scamander, but Michaut." The sublime species can only regard powerful interests, treated of in a great assembly. There may still be seen lively traces of it in the Parliament of England': several harangues partook of it which were pronounced there in 1739, when they debated about declaring war against Spain. The spirits of Cicero and Demosthenes seem to have dictated several passages in their speeches; but they will not descend to posterity like those of the Greeks and Romans, because they want the art and charm of diction, which place the seal of immortality on good works. The temperate species is that of those preparatory discourses, of those public speeches, and of those studied compliments, in which the deficiency of matter must be concealed with flowers. These three species are often mingled, as also the three objects of eloquence, according to Aristotle: the great merit of the orator consists in uniting them with judgment. Great eloquence can scarcely be known to the bar in France, because it does not conduct to honors, as in Athens, Rome, and at present in London; neither has it great public interests for its object; it is confined to funeral orations, in which it borders a little upon poetry. Bossuet, and after him Fléchier, seem to have obeyed that precept of Plato, which teaches us that the elocution of an orator may sometimes be the same as that of a poet. Pulpit oratory had been almost barbarous until P. Bourdaloue; he was one of the first who caused reason to be spoken there. The English did not arrive at that art until a later date, as is avowed by Burnet, bishop of Salisbury. They knew not the funeral oration; they avoided, in their sermons, all those vehement turns which appeared not to them consistent with the simplicity of the Gospel; and they were diffident of using those far-fetched divisions which are condemned by Arch-bishop Fénelon, in his dialogues "_Sur l'Éloquence_."