It must be confessed that they were heretics who began to outrage the finest of all the arts. Leo X., having revived the tragic scene, the pretended reformers required nothing more to convince them that it was the work of Satan. Thus the town of Geneva, and several illustrious places of Switzerland, have been a hundred and fifty years without suffering a violin amongst them. The Jansenists, who now dance on the tomb of St. Paris, to the great edification of the neighborhood, in the last century forbade a princess of Conti, whom they governed, to allow her son to learn dancing, saying that dancing was too profane. However, as it was necessary he should be graceful, he was taught the minuet, but they would not allow a violin, and the director was a long time before he would suffer the prince of Conti to be taught with castanets. A few Catholic Visigoths on this side the Alps, therefore, fearing the reproaches of the reformers, cried as loudly as they did. Thus, by degrees, the fashion of defaming Cæsar and Pompey, and of refusing certain ceremonies to certain persons paid by the king, and laboring under the eyes of the magistracy, was established in France. We do not declaim against this abuse; for who would embroil himself with powerful men of the present time, for hedra and heroes of past ages? We are content with finding this rigor absurd, and with always paying our full tribute of admiration to the masterpieces of our stage. Rome, from whom we have learned our catechism, does not use it as we do; she has always known how to temper her laws according to times and occasions; she has known how to distinguish impudent mountebanks, who were formerly rightly censured, from the dramatic pieces of Trissin, and of several bishops and cardinals who have assisted to revive tragedy. Even at present, comedies are publicly represented at Rome in religious houses. Ladies go to them without scandal; they think not that dialogues, recited on boards, are a diabolical infamy. We have even seen the piece of "George Dandin" executed at Rome by nuns, in the presence of a crowd of ecclesiastics and ladies. The wise Romans are above all careful how they excommunicate the gentlemen who sing the trebles in the Italian operas; for, in truth, it is enough to be castrated in this world, without being damned in the other.