Smith was property man as well as prompter--two important offices which
in any well-regulated theatrical company would require the services of
two men. In addition to these, he undertook to double a couple of the
minor parts. He was an old hand at the work, and doubling and trebling
did not in the slightest disturb him. He was not always as careful as he
should be in the matter of detail, and in several instances his attempts
at faking did not pan out as he originally planned them.
CHAPTER XIX
"Experience is a great book, the events of life its chapters."
--SAINTE-BEUVE.
By eight o'clock the house was well filled. The signboard bearing the
legend, "Standing Room Only" was put out in front to catch a few more.
It was such an audience as would make any manager's heart rejoice. The
curtain rose promptly on the first act. To say the act went off tamely
would be simply admitting the truth. Camille was not only uncertain in
her lines, but she was suffering from a bad attack of stage fright. Were
it not for extraordinary exertions on the part of the principal members
of the company--a confidence acquired of long experience--the star of
the evening would have twinkled out of existence and "Camille" would
have been presented in one act instead of five. The unfortunate "angel"
realized for the first time in her life, possibly, that the calling she
had selected to adopt was not all her fancy had painted it. The
so-called coaching and training she had paid for proved of little or no
practical value. She was _Camille_ only in costume--if in that; the
_Camille_ of the dressmaker--nothing more. The audience, moreover, were
not slow in recognizing this fact also. That day has gone by,
apparently, when tyros may sally forth from the city and win country
audiences with fine dresses, pretty faces, cheek, and inexperience. The
theatre-going public knows the trick. The days of such barn-storming are
passing away.
Mr. Fogg, who was the _Armand_, did not make a profound impression. The
part suited him like an ill-fitted garment, and he felt it. The
realization of that fact took all the vim out of him. If the real truth
was known, he, no doubt, wished himself back in his little second-story
back in the big city, gossiping of what he might, but could not, do if
he had the chance. Handy was cast for the part of the _Count de
Varville_. He was not great in the character, but he could wrestle with
it. Was there a role in the whole range of the English drama he would
decline to take a fall out of if circumstances demanded?
"Say, you'll have to throw more ginger into the part, old fellow," said
Handy, as the hero of the carmine blouse of benefit memory walked across
the stage, looking very disconsolate after the first act. Neither he nor
the star received the slightest applause during their scenes.
"Wait until the fourth act, the great act of the piece," replied Fogg,
"and I'll fetch 'em. You just watch me."
Public-domain text, read in full here on John Shaqi.
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