A Plain Introduction to the Criticism of the New Testament, Vol. I.Scrivener, Frederick Henry Ambrose
Religion
A Plain Introduction to the Criticism of the New Testament, Vol. I.
Scrivener, Frederick Henry Ambrose
Bible. New Testament -- Criticism, interpretation, etc.
37). All who have inspected the
Codex are loud in their praises of the fine thin vellum, the clear and
elegant hand of the first penman, the simplicity of the whole style of the
work: capital letters, so frequent in the Codex Alexandrinus, were totally
wanting in this document for some centuries. In several of these
particulars our manuscript resembles the Herculanean rolls, and thus
asserts a just claim to high antiquity, which the absence of the divisions
into κεφάλαια, of the sections and canons, and the substitution in their
room of another scheme of chapters of its own (described above, p. 56),
beyond question tend very powerfully to confirm. Each column contains
ordinarily forty-two lines(135), each line from sixteen to eighteen
letters, of a size somewhat less than in Cod. A, much less than in Cod. א
(though they all vary a little in this respect), with no intervals between
words, a space of the breadth of half a letter being left at the end of a
sentence, and a little more at the conclusion of a paragraph; the first
letter of the new sentence occasionally standing a little out of the line
(_see_ pp. 51, 93). It has been doubted whether any of the stops are
_primâ manu_, and (contrary to the judgement of Birch and others) the
breathings and accents are now universally allowed to have been added by a
later hand. This hand, referred by some to the eighth century (although
Tischendorf, with Dr. Hort’s approval, assigns it to the tenth or
eleventh(136)), retraced, with as much care as such an operation would
permit, the faint lines of the original writing (the ink whereof was
perhaps never quite black), the remains of which can even now be seen by a
keen-sighted reader by the side of the thicker and more modern strokes;
and, anxious at the same time to represent a critical revision of the
text, the writer left untouched such words or letters as he wished to
reject. In these last places, _where no breathings or accents and scarcely
any stops_(137)_ have ever been detected_, we have an opportunity of
seeing the manuscript in its primitive condition, before it had been
tampered with by the later scribe. There are occasional breaks in the
continuity of the writing, every descent in the genealogies of our Lord
(Matt. i, Luke iii(138)), each of the beatitudes (Matt. v), of the
parables in Matt. xiii, and the salutations of Rom. xvi, forming a
separate paragraph; but such a case will oftentimes not occur for several
consecutive pages. The writer’s plan was to proceed regularly with a book
until it was finished: then to break off from the column he was writing,
and to begin the next book on the very next column. Thus only _one_ column
perfectly blank is found in the whole New Testament(139), that which
follows ἐφοβοῦντο γάρ in Mark xvi. 8: and since Cod. B is the only one yet
known, except Cod. א, that actually omits the last twelve verses of that
Gospel, by leaving such a space the scribe has intimated that he was fully
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