A Plain Introduction to the Criticism of the New Testament, Vol. I.Scrivener, Frederick Henry Ambrose
Religion
A Plain Introduction to the Criticism of the New Testament, Vol. I.
Scrivener, Frederick Henry Ambrose
Bible. New Testament -- Criticism, interpretation, etc.
good care to avoid some of the worst of them: the readings of the second
hand are usually, though not always, banished to the margin, their number
on the whole is increased, gross errors are corrected, omissions supplied,
and the Vatican chapters are given faithfully and in full. But Mai’s whole
procedure in this matter is so truly unfortunate, that in a person whose
fame was less solidly grounded, we should impute it to mere helpless
incapacity(148). Not only did he split up the paragraphs of his quarto
into the modern chapters and verses (in itself a most undesirable change,
_see above_, p. 70), but by omitting some things and altering others, he
introduced almost as many errors as he removed. When Dean Burgon was
permitted to examine the Codex for an hour and a half in 1860, on
consulting it for sixteen passages out of hundreds wherein the two are
utterly at variance, he discovered that the quarto was right in seven of
them, the octavo in nine: as if Mai were determined that neither of his
editions should supersede the use of the other. Dean Alford also collated
numerous passages in 1861(149), and his secretary Mr. Cure in 1862,
especially with reference to the several correcting hands: “in errorem
quidem et ipse haud raro inductus,” is Tischendorf’s verdict on his
labours. Thus critics of every shade of opinion became unanimous on one
point, that a new edition of the Codex Vaticanus was as imperatively
needed as ever; one which should preserve with accuracy all that the first
hand has written (transcriptural errors included), should note in every
instance the corrections made by the second hand, and, wherever any one of
the previous collators might be found in error, should expressly state the
true reading.
Public-domain text, read in full here on John Shaqi.
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