A Plain Introduction to the Criticism of the New Testament, Vol. I.Scrivener, Frederick Henry Ambrose
Religion
A Plain Introduction to the Criticism of the New Testament, Vol. I.
Scrivener, Frederick Henry Ambrose
Bible. New Testament -- Criticism, interpretation, etc.
N. CODEX PURPUREUS. Only twelve leaves of this beautiful copy were till
recently believed to survive, and some former possessor must have divided
them in order to obtain a better price from several purchasers than from
one. Four leaves are now in the British Museum (Cotton, Titus C. xv), six
in the Vatican (No. 3785), two at Vienna (Lambec. 2), at the end of a
fragment of Genesis in a different hand. The London fragments (Matt. xxvi.
57-65; xxvii. 26-34: John xiv. 2-10; xv. 15-22) were collated by Wetstein
on his first visit to England in 1715, and marked in his Greek Testament
by the letter J: Scrivener transcribed them in 1845, and announced that
they contained fifty-seven various readings, of which Wetstein had given
but five. The Vienna fragment (Luke xxiv. 13-21; 39-49) had long been
known by the descriptions of Lambecius: Wetstein had called it N; Treschow
in 1773 and Alter in 1787 had given imperfect collations of it. Scholz
first noticed the Vatican leaves (Matt. xix. 6-13; xx. 6-22; xx. 29-xxi.
19), denoted them by Γ, and used some readings extracted by Gaetano
Marini. It was reserved for Tischendorf (Monumenta sacra inedita, 1846) to
publish them all in full, and to determine by actual inspection that they
were portions of the same manuscript, of the date of about the end of the
sixth century. Besides these twelve leaves John Sakkelion the Librarian
saw in or about 1864 at the Monastery of St. John in Patmos thirty-three
other leaves containing portions of St. Mark’s Gospel (ch. vi. 53-xv.
23)(177), whose readings were communicated to Tischendorf, and are
included in his eighth edition of the N. T. The others were probably
stolen from the same place. This book is written on the thinnest vellum
(_see_ pp. 23, 25), dyed purple, and the silver letters (which have turned
quite black) were impressed in some way upon it, but are too varied in
shape, and at the end of the lines in size, to admit the supposition of
moveable type being used, as some have thought to be the case in the Codex
Argenteus of the Gothic Gospels. The abridgements _ΘΣ_, _ΧΣ_, &c. are in
gold; and some changes have been made by an ancient second hand. The
so-called Ammonian sections and the Eusebian canons are faithfully given
(_see_ p. 59), and the Vatican portion has the forty-first, forty-sixth,
and forty-seventh τίτλοι of St. Matthew at the head of the pages. Each
page has two columns of sixteen lines, and the letters (about ten or
twelve in a line) are firm, uniform, bold, and unornamented, though not
quite so much so as in a few older documents; their lower extremities are
bevelled. Their size is at least four times that of the letters in Cod. A,
the punctuation quite as simple, being a single point (and that usually
neglected) level with the top of the letter (see our facsimile, Plate v,
No. 14, l. 3), and there is no space left between words even after stops.
A few letters stand out as capitals at the beginning of lines; of the
Public-domain text, read in full here on John Shaqi.
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