The thought that the husband is getting an egoistic-socially valuable
possession by the exercise of his rights at the first love episode is
therefore quite absurd. He is performing an act which is in the nature of
a creation, if rightly carried out, but which is destruction if he does
not himself hold his instincts under absolute control.
That the love episode does not take away from woman anything that makes
her poorer is indicated by the fact, noticed by Ellis and others,
that woman’s erotic nature is deeper and stronger than man’s. For the
development of this great erotic nature it is as absolutely necessary for
her to be controlled by a man quite master of his own sex instincts, as
it is necessary for an ovum to be met by a zoösperm, if it is going to
develop any further than its ovum condition.
At a single love episode, neither can the woman’s all be taken by a man
nor can her development be completed. The first episode is only the
beginning of a development, that needs the entire excess energies of her
man for the rest of their joint lives. In the sections on virginity it
will also appear that except in a superficial egoistic-social sense, her
psychical virginity cannot always be terminated at the first love episode.
§ 85
The thought that she has given her all to him is worked out still further
in the irrational conclusion, which comes to some men’s minds, that there
may be nothing left for himself for a future occasion. Therefore he will
not take all this time, so as to leave a little for next time.
Possibly getting all of her at one stroke may be the root thought in Don
Juanism. _Jus primæ noctis_ may have originated from the idea that the
noble lord should get all there was in the vicinity to get; and he was
exercising his right to own and get everything in sight. The men who
cool in their affections (or whose passions cool) immediately after
the possession of the persons of their love objects may be inspired by
exactly this egoistic-social thought, that there is a possession that may
be acquired by means of one love episode, after which the woman has no
more to give.
§ 86
In phantasying, in his own ecstasy, the complete surrender of the woman
(cf. § 158), a man may also phantasy her being exhausted, dry like an
eaten orange, or, like a flower, drained of its honey by a bee; not
realizing that the beginning of a woman’s love is only the beginning of
an infinite growth, which he alone is able to develop for himself, and
which no other man can develop for him—that, in short, a man who deserts
one woman after another is simply showing an essentially perverted
appetite.
Public-domain text, read in full here on John Shaqi.
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