Boardinghouses -- Juvenile fiction; London (England) -- Juvenile fiction; Love stories; Mothers and daughters -- Juvenile fiction
The rest of the boarders now entered the drawing-room. Mother amongst
others made her appearance; she went to her accustomed corner, glanced
at me, saw that I was in one of my black dresses, nodded approval,
concluding in her dear mind that I had probably met some old friend in
the extraordinary person who was shutting me into the corner, and took
no further notice.
Captain and Mrs. Furlong were well pleased to see that I was only
talking to a woman, it did not matter at all to them who that woman
was. And as to me I sat perfectly silent while Mrs. Fanning discoursed
on Albert. She never for a single moment, I will say for her, turned
the conversation into another channel. Albert was her theme, and she
stuck to him with the pertinacity which would have done any leader of
a debate credit. The debate was Albert. She intended before dinner was
announced to give me a true insight into that remarkable man's most
remarkable character.
"Yes," she said, "what Albert thinks is always to the point. Since a
child he never gave me what you would call a real heartache.
Determined, self-willed he is; you look, the next time you see him, at
his chin, you observe the cleft in the middle; there never was a chin
like that yet without a mind according--a mind, so to speak, set on
the duty ahead of it--a mind that is determined to conquer. That is
Albert, that is my only, godly son. You observe, when you have an
opportunity, Albert's eyes. Did you ever see anything more open than
the way they look at you? He don't mind whether it hurts your feelings
or not; if he wants to look at you, look he will."
When she said this I nodded my head emphatically, for I had found this
most disagreeable trait in Albert's eyes from the first moment I had
been unfortunate enough to make his acquaintance. But Mrs. Fanning
took my nod in high good humour.
"Ah, you have observed it," she said, "and no wonder, no wonder. Now,
when you get an opportunity, do pull him to pieces, feature by
feature; notice his brow, how lofty it is; there's talent there, and
t'aint what you would call a fly-away talent, such as those art
talents that make me quite sick. He has no talent, thank Heaven, for
painting or for poetry, or for any fal-lal of that kind, his talent
lies in a sound business direction. Oh, he has made me roar, the way
he talks of young authors and young artists, how they come to him with
their wares, and how he beats them down. It's in Albert's brow where
his talent for business lies. You mark his nose too, it's somewhat
long and a little pointed, but it's the nose of a man who will make
his mark; yes, he'll make his mark some day, and I have told him so
over and over."
Having gone through all Albert's features, she next proceeded to
describe Albert's character, and then went on to Albert's future. From
this it was an easy step to Albert's wife, and Albert's wife took up a
great deal of the good woman's attention.
Public-domain text, read in full here on John Shaqi.
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