She hated herself for it. Every fine fiber of her revolted. But as time
went on, and she learned the full wickedness of the thing, her days
became one long waiting. She saw one move after another succeed, strike
after strike slowing production, and thus increasing the cost of living.
She saw the growing discontent and muttering, the vicious circle of
labor striking for more money, and by its own ceasing of activity making
the very increases they asked inadequate. And behind it all she saw
the ceaseless working, the endless sowing, of a grim-faced band of
conspirators.
She was obliged to wait. A few men talking in secret meetings, a hidden
propaganda of crime and disorder--there was nothing to strike at. And
Elinor, while not clever, had the Cardew shrewdness. She saw that,
like the crisis in a fever, the thing would have to come, be met, and
defeated.
She had no hope that the government would take hold. Government was
aloof, haughty, and secure in its own strength. Just now, too, it was
objective, not subjective. It was like a horse set to win a race, and
unconscious of the fly on its withers. But the fly was a gadfly.
Elinor knew Doyle was beginning to suspect her. Sometimes she thought
he would kill her, if he discovered what she meant to do. She did
not greatly care. She waited for some inkling of the day set for the
uprising in the city, and saved out of her small house allowance by
innumerable economies and subterfuges. When she found out the time she
would go to the Governor of the State. He seemed to be a strong man,
and she would present him facts. Facts and names. Then he must act--and
quickly.
Cut off from her own world, and with no roots thrown out in the new, she
had no friends, no one to confide in or of whom to ask assistance. And
she was afraid to go to Howard. He would precipitate things. The leaders
would escape, and a new group would take their places. Such a group, she
knew, stood ready for that very emergency.
On the afternoon of Lily's departure she heard Doyle come in. He had not
recovered from his morning's anger, and she heard his voice, raised in
some violent reproof to Jennie. He came up the stairs, his head sagged
forward, his every step deliberate, heavy, ominous. He had an evening
paper in his hand, and he gave it to her with his finger pointing to a
paragraph.
“You might show that to the last of the Cardews,” he sneered.
It was the paragraph about Louis Akers. Elinor read it. “Who were the
masked men?” she asked. “Do you know?”
“I wish to God I did. I'd--Makes him a laughing stock, of course. And
just now, when--Where's Lily?”
Elinor put down the paper.
“She is not here. She went home this afternoon.”
He stared at her, angrily incredulous.
“Home?”
“This afternoon.”
She passed him and went out into the hall. But he followed her and
caught her by the arm as she reached the top of the staircase.
“What made her go home?”
“I don't know, Jim.”
“She didn't say?”
“Don't hold me like that. No.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account