“I have no right to burden you with our troubles, Mr. Cameron,” Grace
said, “but she is so fond of you, and she has great respect for your
judgment. If you could only talk to her about the anxiety she is
causing. These Doyles, or rather Mr. Doyle--the wife is Mr. Cardew's
sister--are putting all sorts of ideas into her head. And she has met a
man there, a Mr. Akers, and--I'm afraid she thinks she is in love with
him, Mr. Cameron.”
He met her eyes gravely.
“Have you tried not forbidding her to go to the Doyles?”
“I have forbidden her nothing. It is her grandfather.”
“Then it seems to be Mr. Cardew who needs to be talked to, doesn't it?”
he said. “I wouldn't worry too much, Mrs. Cardew. And don't hold too
tight a rein.”
He was very down-hearted when he left. Grace's last words placed a heavy
burden on him.
“I simply feel,” she said, “that you can do more with her than we can,
and that if something isn't done she will ruin her life. She is too fine
and wonderful to have her do that.”
To picture Lily as willfully going her own gait at that period would be
most unfair. She was suffering cruelly; the impulse that led her to meet
Louis Akers against her family's wishes was irresistible, but there was
a new angle to her visits to the Doyle house. She was going there now,
not so much because she wished to go, as because she began to feel that
her Aunt Elinor needed her.
There was something mysterious about her Aunt Elinor, mysterious and
very sad. Even her smile had pathos in it, and she was smiling less
and less. She sat in those bright little gatherings, in them but not of
them, unbrilliant and very quiet. Sometimes she gave Lily the sense that
like Lily herself she was waiting. Waiting for what?
Lily had a queer feeling too, once or twice, that Elinor was afraid. But
again, afraid of what? Sometimes she wondered if Elinor Doyle was afraid
of her husband; certainly there were times, when they were alone, when
he dropped his unctuous mask and held Elinor up to smiling contempt.
“You can see what a clever wife I have,” he said once. “Sometimes I
wonder, Elinor, how you have lived with me so long and absorbed so
little of what really counts.”
“Perhaps the difficulty,” Elinor had said quietly, “is because we differ
as to what really counts.”
Lily brought Elinor something she needed, of youth and irresponsible
chatter, and in the end the girl found the older woman depending on her.
To cut her off from that small solace was unthinkable. And then too she
formed Elinor's sole link with her former world, a world of dinners and
receptions, of clothes and horses and men who habitually dressed for
dinner, of the wealth and panoply of life. A world in which her interest
strangely persisted.
“What did you wear at the country club dance last night?” she would ask.
“A rose-colored chiffon over yellow. It gives the oddest effect, like an
Ophelia rose.”
Or:
“At the Mainwarings? George or Albert?”
“The Alberts.”
“Did they ever have any children?”
Public-domain text, read in full here on John Shaqi.
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