The art of making fire is the same in India as in Africa. The smelting furnaces, for reducing iron and copper from the ores, are also similar. Yellow haematite, which bears not the smallest resemblance either in colour or weight to the metal, is employed near Kolobeng for the production of iron. Malachite, the precious green stone used in civilized life for vases, would never be suspected by the uninstructed to be a rich ore of copper, and yet it is extensively smelted for rings and other ornaments in the heart of Africa. A copper bar of native manufacture four feet long was offered to us for sale at Chinsamba's. These arts are monuments attesting the fact, that some instruction from above must at some time or other have been supplied to mankind; and, as Archbishop Whately says, "the most probable conclusion is, that man when first created, or very shortly afterwards, was advanced, by the Creator Himself, to a state above that of a mere savage." The argument for an original revelation to man, though quite independent of the Bible history, tends to confirm that history. It is of the same nature with this, that man could not have _made_ himself, and therefore must have had a Divine _Creator_. Mankind could not, in the first instance, have _civilized_ themselves, and therefore must have had a superhuman _Instructor_. In connection with this subject, it is remarkable that throughout successive generations no change has taken place in the form of the various inventions. Hammers, tongs, hoes, axes, adzes, handles to them; needles, bows and arrows, with the mode of feathering the latter; spears, for killing game, with spear-heads having what is termed "dish" on both sides to give them, when thrown, the rotatory motion of rifle-balls; the arts of spinning and weaving, with that of pounding and steeping the inner bark of a tree till it serves as clothing; millstones for grinding corn into meal; the manufacture of the same kind of pots or _chatties_ as in India; the art of cooking, of brewing beer and straining it as was done in ancient Egypt; fish-hooks, fishing and hunting nets, fish-baskets, and weirs, the same as in the Highlands of Scotland; traps for catching animals, etc., etc.,--have all been so very permanent from age to age, and some of them of identical patterns are so widely spread over the globe, as to render it probable that they were all, at least in some degree, derived from one Source. The African traditions, which seem possessed of the same unchangeability as the arts to which they relate, like those of all other nations refer their origin to a superior Being. And it is much more reasonable to receive the hints given in Genesis, concerning direct instruction from God to our first parents or their children in religious or moral duty, and probably in the knowledge of the arts of life, {6} than to give credence to the theory that untaught savage man subsisted in a state which would prove fatal to all his